Cristopher Clark

As virtuoso musicians and members of Sam Gopal's Dream, Andy Clark and Mick Hutchinson were well known to regulars at legendary London clubs such as UFO and Middle Earth when they decided to branch out as a duo. Recorded in two intense overnight sessions in May 1969, A=MH2 is a scorching blend of jazz, raga, blues, and psychedelia that has long been regarded one of the key recordings to have emerged from the UK psychedelic underground. It's presented here as a single LP with two CDs: one of A=MH2, the other containing their March 1969 recording debut, a previously unreleased collection of acid blues that features some equally stunning musicianship. The sleeve comes complete with a large-format eight-page booklet containing detailed notes and previously unpublished photos, making it the most comprehensive edition of this groundbreaking music ever assembled.

2010 two CD anthology from underground Rock heroes Clark-Hutchinson. One of the first signings to Decca's underground imprint Nova, the duo of Andy Clark and Mick Hutchinson recorded the album A=MH2 in 1969, soon to become the biggest selling album on NOVA. Championed by John Peel, the duo's first album highlighted the extraordinary talent of guitarist Hutchinson. The 1970 follow up album Retribution saw the band augmented by Del Coverley and included the classic 'Free To Be Stoned' , earning the group numerous live spots alongside cohorts the Edgar Broughton Band and Hawkwind. Gestalt, the band s final album appeared in 1971 on the Deram label. This anthology has been remastered from the original master tapes and comprises all the recordings released by Decca Records between 1969 and 1971. It is an essential part of the story of British underground Rock at the turn of the 1970s.

Сlark Terry's 1977 studio date with an orchestra conducted by Peter Herbolzheimer might very well fall into the easy listening category were it not for his brilliant improvisations on fluegelhorn, which he plays throughout the session. Most of the material consists of classic songs that Terry was undoubtedly very familiar with by the time of this 1977 recording, including "Misty," "Willow Weep for Me," "Angel Eyes," and "Yesterdays," with the arrangements all having pretty much a low-key, late-night feeling, hence the album title. Producer Mike Hennessey co-wrote "November Song" with Willi Fruth, a ballad with swirling strings; and Herbolzheimer contributed "Clark After Dark," a tasty blues that is a good deal looser than most of the rest of the album, which also features great solos by pianist Gordon Beck and trombonist Dave Horler, as well as some great muted horn from Terry…