Curso de Resina Epoxica y Porcelanato Liquido

In 1959, a family friend went to the home of Paco de Lucía and Pepe de Lucía where he made several recordings with a Grundig TK46 tape recorder. This tape disappeared in 1967 and, after a long search process, was rediscovered in 2022, when a restoration process started using AI tools. The historical value of this recording is incalculable and it gathers in 21 pieces an anthology of flamenco where most of its variants are represented (tangos, soleá, seguiriyas, bulerías…). It is, in short, the definitive recording to illustrate the transition from classical flamenco to modern flamenco as we know it today.

Recorded in 1973, this album signified a leap in the popularity of Paco de Lucía. With this recording, a new cycle of his career began. The Algeciran found himself at a level of technical and stylistic perfection never previously reached by any Flamenco artist. As much in creative as interpretative terms the level of maturity of the young guitarist brought to fruition an astonishing array of means of expression. Paco de Lucía achieved international as well as national recognition with the release of this album, owing greatly to the popularity of the rumba ‘Entre Dos Aguas’, which was only added at the last minute because only seven tracks had been recorded for the album up to that point.