More than 25 years after the release of Enigma's ground-breaking debut album, MCMXC a.D., on 4th May 2018 all studio albums released as standalone coloured vinyl. Most of them released on vinyl for the first time ever.
The Screen Behind the Mirror is the fourth studio album by Enigma. Recorded at the A.R.T. Studios in Ibiza, Spain, it was released worldwide by Virgin Records.
Enigma is a German musical project founded in 1990 by Romanian-German musician and producer Michael Cretu. Cretu had released several solo records, collaborated with various artists, and produced albums for his then wife, German pop singer Sandra, before he conceived the idea of a New Age, Worldbeat project. He recorded the first Enigma studio album, MCMXC a.D. (1990), with contributions from David Fairstein and Frank Peterson. The album remains Enigma's biggest, helped by the international hit single, "Sadeness (Part I)", which sold 12 million units alone. According to Cretu, the inspiration for the creation of the project came from his desire to make a kind of music that did not obey "the old rules and habits" and presented a new form of artistic expression with mystic and experimental components.
Enigma’s complete catalogue is set for a special coloured vinyl makeover. On 4 May, Universal Music will release The Colours Of Enigma – The Vinyl Series: all eight studio albums and the acclaimed hits package LSD Love Sensuality Devotion: The Greatest Hits as strictly limited edition coloured vinyl. Five of these albums will be released for the first time on vinyl: Le Roi Est Mort. Vive Le Roi (1996), The Screen Behind The Mirror (2000), Voyageur (2003), A Posteriori (2006) and Seven Lives Many Faces (2008). Only the debut MCMXC a.D (1990), which spent over 200 weeks in the US Top 200 Billboard charts, 1993’s The Cross Of Changes and the latest album The Fall Of A Rebel Angel (2016) enjoyed releases on wax previously.
Enigma is a German electronic project formed in 1990 by Michael Cretu, David Fairstein and Frank Peterson. Cretu is both the composer and the producer of the project.
Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from complete opera recordings–unfortunately not very skillfully, stopping abruptly in mid-phrase if not mid-note.