d Martin Luthers Werke Weimarer Ausgabe Sonderedition

The arpeggione would probably be completely forgotten today had not Franz Schubert written for it his famous Sonata in A minor, D. 821, in 1824. Invented by Johann Georg Staufer in 1823, the arpeggione can be described as a kind of hybrid cello-guitar. It had frets and six strings tuned like those of a guitar, but was held like a cello and played with a bow.

What we know as ‘Handel’s Opus 3’ is most likely little more than a brazen attempt by the London publisher John Walsh to make some quick money.

Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biedermeier poets, and Heine. The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to the Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team.

Includes the following albums - Pretty Baby, Sleep Warm, A Winter Romance, This Time I'm Swinging, Dino Italian, Love Songs, Cha Cha Cha De Amour, Free Style, Dino Latino.

It has been a very creative couple of years for percussionist, composer, producer, and storyteller Barrett Martin. In 2017 he won a Latin Grammy for his album production work in Brazil; he released his first book, “The Singing Earth: Adventures From A World Of Music”, and he released his 6th solo album, “Transcendence.”

This is not strictly a compilation of what the British would term "light music," for there is music of substantial weight on these two discs: e.g., Vaughan Williams's The Lark Ascending, Butterworth's A Shropshire Lad, and Elgar's Introduction and Allegro, but for the most part, Marriner and his charges offer less weighty fare that is familiar to many classical music-lovers and certainly dear to the heart of Anglophiles like this writer. From Vaughan Williams's perennial favorites, Fantasia on Greensleeves and the English Folk Song Suite, and George Butterworth's nigh-ubiquitous The Banks of Green Willow to less familiar fare like Delius's Serenade (composed to honor the 70th birthday of Frederick Delius) and the suite from Elgar's incomplete opera The Spanish Lady, this compilation of recordings–originally made in 1968, 1972, 1976, and 1979–embodies the spirit of England and does so faultlessly. This is a well chosen and exemplarily executed collection of English orchestral miniatures proffered by a conductor and orchestra whose names have become synonymous with the repertoire.