d Napoli Elliot Wave

Change No Change is the first and so far only solo album released by Elliot Easton of The Cars…

The violinist, cellist, flutist and oboist Robert Valentine (Leicester, 1671 - Rome, 1747) was a prolific author of sonatas - especially for recorder - and an instrumentalist engaged in the musical life of Rome, the city where he moved, in a period between 1693 and 1700, from his native England. Valentine belonged to a group – not very large but quite important for their excellent performative qualities – of virtuosos of wind instruments (oboe and also flute) who in the first half of the eighteenth century moved to Italy, also to make up for some shortage of instrumentalists in this sector, even if recent researches show, especially in Naples, a great vivacity of local schools even for what concerns wind musicians. At the beginning of the eighteenth century, between Rome, Naples and Florence, we discover the presence of at least four foreign instrumentalists: the oboists / flutists Ignatio Rion (active in Venice, Rome and finally in Naples), Ignazio Sieber (Venice), Ludwig Erdmann (Florence) and finally Robert Valentine. The work of this English-born musician greatly fostered the development of flute music in Italy. His work as a composer and performer places him among the most prolific authors of original music for recorder of the period.

Elliot Lurie (born August 19, 1948) is an American musician who was the lead guitarist, songwriter, and co-lead vocalist for the band Looking Glass from 1969 to 1974. He wrote and sang lead on their 1972 #1 hit single "Brandy (You're a Fine Girl)" and their 1973 Top 40 single "Jimmy Loves Mary-Anne". After leaving the band in the mid-1970s, Lurie released a self-titled album and a single, "Disco (Where You Gonna Go)", both on Epic Records. Neither reached the Billboard Top 100. He later signed with Arista Records, and also worked writing songs for Chappell Music and Screen Gems Music. In the 1980s, Lurie wrote and produced music for private business use. He moved to Los Angeles in 1984, and in 1985, became head of the music department at 20th Century Fox. That year, he produced the soundtrack album for the John Travolta and Jamie Lee Curtis film Perfect. Since then he has worked as music supervisor on numerous mainstream films, including Alien 3 (1992), A Night at the Roxbury (1998), Riding in Cars with Boys (2001), I Spy (2002) and Spanglish (2004).