A Swedish jazz and pop vocalist, Viktoria Tolstoy is a much celebrated performer in Europe. Known for her lilting, emotive style, she has worked closely with pianist Esbjörn Svensson and trombonist Nils Landgren, crafting her unique crossover jazz, pop, and folk sound. Emerging in the 90s, Tolstoy released a handful of chart-topping jazz albums like 1997's White Russian and 2004's German Jazz Award-winning Shining on You. A descendant of novelist Leo Tolstoy, she has explored both her Swedish and Russian roots on record, issuing My Swedish Heart in 2005 and My Russian Soul in 2008. She has also appeared often on producer Landgren's own albums, including 2004's Funky ABBA and 2011's The Moon, the Stars and You.
This is one of the better Art Farmer recordings of the 1980s, which is saying a great deal, for the flugelhornist is among the most consistent of all jazz musicians. The two ballads that open and close this set ("Blame It on My Youth" and "I'll Be Around") give Farmer an opportunity to display his warm and attractive sound (with fine support from pianist James Williams, bassist Rufus Reid and drummer Victor Lewis), while the other five pieces (Benny Carter's "Summer Serenade" and more obscure material) add the great tenor saxophonist (and so-so soprano player) Clifford Jordan to the group. It's an enjoyable and very successful outing.
Holly Cole's debut recording is a delight. Although she infuses a variety of standards with sensuality (including "If I Were a Bell," "On the Street Where You Live," "Honeysuckle Rose" and "I'll Be Seeing You"), she is also clearly laughing at her image at the same time. Joined by pianist Aaron Davis and bassist David Piltch with guest appearances by violinist Johnny Frigo (on two songs) and bass clarinetist Robert Stevenson (for one), Cole's interpretations of the mostly veteran material are both haunting and ironic, making this a memorable and surprisingly original outing.
Twelve Inch Eighties is the successful 3CD range by Crimson Productions, compiling extended alternate mixes of some of the biggest hit singles of the 80s. Each themed release is housed in a sleek 3CD digipak with abstract imagery representative of early dance label releases. These carefully selected titles across the range bring together the finest eighties pop, dance and disco, amongst other genres, in all their full 12” single glory. Can You Feel It is a collection of some of the biggest 80s dance classics in their full extended 12” form, keeping you on the floor for longer.
Many of Chicago's blues clubs could be described as "blues and soul clubs" because that's exactly what they are. Although blues is the main focus of those West Side, South Side, and North Side venues, so many of the artists they book include a lot of R&B in their sets. One of those soul-minded bluesmen who lives in Chi-Town is Detroit native Quintus McCormick, whose Put It on Me is a perfect example of an album that has one foot in electric urban blues and the other in soul (specifically, old-school soul of the ‘60s and '70s variety). Actually, McCormick's résumé says a lot about his musical outlook; he has been a sideman for both James Cotton and Otis Clay, and that explains why he handles blues and soul equally well on this 2010 recording…
After her unforgettable rendition of “Somewhere Over the Rainbow” on "American Idol" in 2006, Katharine McPhee catapulted to instant stardom. Further propelling her success was the hit single “Over It” from her 2007 chart-topping debut album. McPhee’s talents also extended to acting, which she put to good use in two popular television series, "Smash" and "Scorpion," and she is no stranger to PBS specials, having guested on "Foster and Friends" and "Chris Botti in Boston." In this jazz-filled installment of "Soundstage," McPhee gets the spotlight to herself (with a little help from her friends David Foster, Eric Benet, and Frederic Yonnet) performing selections from her fifth studio album, "I Fall In Love Too Easily." Audiences across America will fall in love very easily with this "Soundstage" performance.