Aes Dana is the main moniker for Vincent Villuis, a French composer, sound designer, Dj and co-owner of Ultimae records as well as one of the founding members of Asura. Bass player and singer in several coldwave and industrial bands as a teenager, Vincent then moved on to composing with machines and specialised in sampling and layering of acoustic sounds digitally transmuted. His music is a fusion of Deep Ambient, Downtempo, IDM, infused with hints of Neo-Classsical Electronica, Industrial and Liquid Drum 'n' Bass.
As Aes Dana, he produced solo albums, an audio samples library, participated to about 3 dozen compilations while collaborating on three albums with Swedish artist Magnus Birgersson under moniker H.U.V.A. Network…
Today, with the amount of recordings aimed at rediscovering the buried treasures of past centuries, it is difficult to ignore the work of Rebecca Clarke. Viola player Vinciane Béranger, along with Dana Ciocarlie, Hélène Collerette and David Louwerse, have devoted a recording to the Clarke's works for viola. Both a composer and a performer, Clarke was one of the foremost professional women in England. Her music, at the crossroads of various currents, navigates at different moments through French music, modality, British folklore, harmonic boldness and exoticism. There is, however, no pastiche: Clarke creates her own honey from these trends in order to construct a quite atypical language that is resolutely modern. From her masterly Viola Sonata to the poetic Morpheus, and not forgetting the trio Dumka or the duet Chinese Puzzle, the performers are keen to paint the musical portrait of this iconoclastic composer. The recording is enhanced with the world premiere of Irish Melody, a long lost score that was recently rediscovered.