Dances And Dreams

In 2011 the Berliner Philharmoniker and their musical director Sir Simon Rattle welcomed in the New Year with a gala concert programmed with ‘Dances & Dreams’. Spinetingling and inspiring performances of music by Dvořák, Ravel, Richard Strauss, Stravinsky and Brahms are complemented by the extraordinary talent of the multi-awarded Russian pianist Evgeny Kissin. Kissin’s musicality, the depth and poetic quality of his interpretations, and his extraordinary virtuosity have placed him at the forefront of today’s pianists, and his passionate performance of the renowned Piano Concerto in A minor by Edvard Grieg is mesmerizing.

The Krein family, with its origins in Lithuania, became a musical dynasty of considerable importance in Imperial and then Soviet Russia. The seven sons of its patriarch, Abram Krein, were all musicians, with Alexander and Grigory becoming respected composers, and Grigori’s son, Yulian, adding another generation of Krein compositions. The dances and cantillation of their Jewish background was an important part of their musical make-up, combining at various stages with Russian folk-music, Skryabinesque harmony and French Impressionism. All three shared a predilection for the clarinet, developing a repertoire for the instrument that is only now beginning to be discovered – in what one might call a Krein scene investigation.

Recorded at about the same time as "Monkinus", the album by the same duo released on CIMP, the album is as good without adding too much. "Blue Monk", "Brilliant Corners", "Ruby, My Dear", "Epistrophy", "Criss Cross", "Evidence", "Monk's Dream", "Bye-ya", "Off Minor" figure on both albums…

Filling a gap in the nineteenth century piano repertoire that many listeners would not have suspected was there, this excellent 2006 disc by English pianist Kathryn Stott of piano music by Bohemian composer Bedrich Smetana admirably serves its purpose. Opening with the half-hour-long, six-movement cycle Dreams and closing with several piquant Czech Dances, the program shows Smetana to have been a composer not only of ethnic creations but of virtuoso piano music in the Liszt mold as well. While there have been other excellent recordings of these works before, they have always been by Czech pianists who seemed to have instinctively grasped the specific rhythmic accent of Smetana's music, and this recording proves that you don't have to be Czech to play Smetana. Stott clearly has the big technique to tackle the extreme difficulties of the Concert Étude in C major and the more extravagantly virtuosic movements of Dreams, but she also has the sensitivity to handle the sweetness of "On the Sea Shore – a memory" and "Faded Happiness" (from Dreams) and the rhythmic verve to dance through the Fantasia on Czech Folksongs and the Czech Dances.