Daniel Fleish

The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.

Superproducer Daniel Lanois took a rare turn on center stage as a performer on his second solo release, For the Beauty of Wynona. Released in 1993, the album follows his earlier release, Acadie. Unlike that album, which had some superstar appearances, For the Beauty of Wynona is a more low-key affair and has a more subtle impact. Lanois has a limited range as a vocalist, but he possesses a warmth that draws in the listener. Producing himself, Lanois also is an accomplished guitarist, although his protégé, Malcolm Burn, also adds some guitar as well as keyboards. The music is often moody and watercolored, but there are some more upbeat moments like the jaunty melody of "Sleeping in the Devil's Bed," which has a country feel, and the single "Lotta Love to Give," which is wispy but anchored by twang guitar and has a catchy chorus and serrated guitar solo. For the Beauty of Wynona is not an immediately striking album but rather one that slowly grows on the listener. It also proves that Lanois has something to say on his own.

Daniel Hope's latest album, "Irish Roots" embodies his deep connection to Ireland, inherited from his paternal great-grandfather who left Waterford for South Africa in the 1890s. Although never residing in Ireland, Hope's fascination with its culture led to the creation of the documentary "Celtic Dreams: Daniel Hope’s Hidden Irish History." Supported by musicologist Olivier Fourés and experiences with award-winning Irish band Lúnasa, Hope explores the intersection of folk and classical music. "Irish Roots" reflects this journey, featuring compositions by Ina Boyle and Turlough O’Carolan alongside classics like "Danny Boy" and Vivaldi's L’estro armonico concertos. Daniel Hope is joined on his new album by a stellar line-up of guest artists, including Lúnasa, harpist Siobhán Armstrong, flautists Sir James and Lady Jeanne Galway, singer Rea Garvey, multi-instrumentalist and folk musician Ross Daly, fellow violinist Simos Papanas, and the Thessaloniki State Symphony Orchestra conducted by Daniel Geiss.

Daniel Hope's latest album, "Irish Roots" embodies his deep connection to Ireland, inherited from his paternal great-grandfather who left Waterford for South Africa in the 1890s. Although never residing in Ireland, Hope's fascination with its culture led to the creation of the documentary "Celtic Dreams: Daniel Hope’s Hidden Irish History." Supported by musicologist Olivier Fourés and experiences with award-winning Irish band Lúnasa, Hope explores the intersection of folk and classical music. "Irish Roots" reflects this journey, featuring compositions by Ina Boyle and Turlough O’Carolan alongside classics like "Danny Boy" and Vivaldi's L’estro armonico concertos.

Daniel Hope's latest album, "Irish Roots" embodies his deep connection to Ireland, inherited from his paternal great-grandfather who left Waterford for South Africa in the 1890s. Although never residing in Ireland, Hope's fascination with its culture led to the creation of the documentary "Celtic Dreams: Daniel Hope’s Hidden Irish History." Supported by musicologist Olivier Fourés and experiences with award-winning Irish band Lúnasa, Hope explores the intersection of folk and classical music. "Irish Roots" reflects this journey, featuring compositions by Ina Boyle and Turlough O’Carolan alongside classics like "Danny Boy" and Vivaldi's L’estro armonico concertos.