Daniel Kahn

HORN TRIOS from MOZART to PIAZZOLLA and beyond (Volume 1) is the first installment of a 2-volume compendium of horn trios from the 18th, 19th, 20th and 21st centuries - an amazing "anthology" of original and arranged repertoire for the trio ensemble of horn, violin and piano. This is not the kind of recording project consisting of the obligatory Brahms Trio Op. 40 in the company of two or three other much-recorded works. Presenting a 4-centuries double-disc album with just this First Volume, the artists explore a strikingly-interesting collection of diverse styles and genres, where even the sheer number of different nationalities of the composers (from 12 different countries) brings instant awe. Yes, the Brahms Horn Trio is included, as well as works by Mozart and Piazzolla (as the album's title proclaims), but we also hear trios by composers from the United States, Canada, England, France, Liechtenstein, Estonia, Romania, Bulgaria and Morocco. Presenting no less than 8 world-premiere recordings in just this Volume 1, the album brims with rarities and contrasts, showcasing many works written specifically for these artists.

After his phenomenal success with Django Reinhardt in the pre-war Quintet of the Hot Club of France, violinist Stéphane Grappelli's recording career was a bit erratic until interest revived in his music in the late 1960s. So these 1962 studio sessions, initially released by Atlantic as Feeling + Finesse = Jazz are a rare opportunity to hear the master during this period in his career. Accompanied by guitarist Pierre Cavalli, rhythm guitarist Leo Petit, bassist Guy Pedersen and drummer Daniel Humair, Grappelli draws primarily from his repertoire of standards and originals previously recorded with Reinhardt.