Daniele Caluri

"Virtuous Circles Of Miles Davis" is the story of a journey through which the music of Miles continues to live in the hearts and minds of these musicians, a "virtuous circle", in fact, within which the Davisian work relives, inspires and it transforms; once again regenerated, it continues to live and excite the present of these artists. More than a tribute to Miles, "Virtuous Circles Of Miles Davis" is a declaration of love towards a precise period of the life of these musicians, a historical and intimate moment in which Miles and his work were both inspirational and witnesses. The fact that in the quintet of Malvisi there is not a trumpet player speaks volumes about the genuine honesty of this artistic affection.

This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro.

This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro.

This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro.

Sardinian-born trumpeter Paolo Fresu and bandoneonist Daniele di Bonaventura from Fermo, Italy, indicated the depth of their musical understanding on 2010’s "Mistico Mediterraneo", a collaboration with Corsican singers A Filetta. Left to their own resources they explore a very broad range of material which includes original ballads by both men, improvisations, a Puccini theme from La Boheme, liturgical music, pieces by legendary Chilean songwriter Victor Jara and Uruguayan singer-songwriter Jaime Roos, music of Neapolitan composer Ernesto de Curtis, “O que sera” by Brazil’s Chico Buarque and more. Daniele Di Bonaventura has spent much of his creative life bringing aspects of jazz and music of South American traditions together, and Paolo Fresu is one of the outstanding lyrical voices of contemporary improvising.

This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro.

Sardinian-born trumpeter Paolo Fresu and bandoneonist Daniele di Bonaventura from Fermo, Italy, indicated the depth of their musical understanding on 2010’s "Mistico Mediterraneo", a collaboration with Corsican singers A Filetta. Left to their own resources they explore a very broad range of material which includes original ballads by both men, improvisations, a Puccini theme from La Boheme, liturgical music, pieces by legendary Chilean songwriter Victor Jara and Uruguayan singer-songwriter Jaime Roos, music of Neapolitan composer Ernesto de Curtis, “O que sera” by Brazil’s Chico Buarque and more. Daniele Di Bonaventura has spent much of his creative life bringing aspects of jazz and music of South American traditions together, and Paolo Fresu is one of the outstanding lyrical voices of contemporary improvising.

This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro.