Danihs String Quartet

Among the top performers of Béla Bartók's six string quartets, the Emerson String Quartet has had few rivals, and it is perhaps only matched in technical prowess and expressive clarity by the Takács String Quartet in its 1998 recordings on London, and historically, by the Juilliard String Quartet in its legendary 1963 cycle for Columbia. While the Takács may be more heated in its folk-like expressions and fiery rhythms, and the Juilliard more coolly classical in tone and execution, the Emerson takes a legitimate position between the two: there is room for some flexibility in Bartók, and to the extent that the Emerson gives a balanced presentation of the composer's impulses and aesthetics, the interpretations are effective and feel authentic without ever falling into clichés.

Composed in the summer and autumn of 1781, Haydn’s Op. 33 Quartets were dedicated to the Grand Duke Paul of Russia and premiered on Christmas Day that year in the apartment of the Duke’s wife, the Grand Duchess Maria Feodorovna. Nicknamed ‘the Russian quartets’, Op. 33 were some of Mozart’s favourites among Haydn’s works, and inspired Mozart to write his own set of six quartets, of 1785, dedicated to Haydn.

The Cypress String Quartet, based out of San Francisco, CA, has been working on a series of recordings of the complete string quartets of Beethoven, with the quartet's first violinist, Cecily Ward, listed as producer of the recordings. This set of the op. 18 quartets fills out their recorded survey. Interestingly, the quartet essentially went in "reverse order" with respect to issuing their recordings, in that the op. 18 quartets are, of course, the earliest of the Beethoven quartets, but this 2-CD set is the last of the Cypress Quartet's recordings of the cycle to be issued. Their album of the late quartets was first, and the album of the middle quartets was, fittingly, in the middle.

Composer Elena Ruehr has roots in the Upper Peninsula of Michigan and studied with William Bolcom at the University of Michigan in Ann Arbor; the release of the Cypress String Quartet's How She Danced: String Quartets of Elena Ruehr finds Ruehr as a professor in the music department at the Massachusetts Institute of Technology (MIT). Although not all of her four string quartets were written for it, Cypress String Quartet has enjoyed a long association with Ruehr going back at least to 1996, which is recapped to some extent in the engaging interview format booklet notes, led by Saint Paul Sunday Morning host Bill McGlaughlin and involving both the composer and all four members of Cypress.

Following three acclaimed releases for AVIE surveying works by Dvo?ák, Schubert and contemporary Americans, the San Francisco-based Cypress String Quartet turns to the seminal string quartets of Beethoven, performing the five quartets from the composer’s middle period. Formed in 1996, the Cypresses added Beethoven to their repertoire early on. Their signature sound, which is clear and transparent, built up from the bottom register and layered like a pyramid, lends itself beautifully to the Middle String Quartets – the three “Rasumovskys,” the “Harp,” and the “Serioso.”