Data Rec For Mac

Lakeshore Records presents Mr. Robot - USA Network's Golden Globe, Emmy Award-Winning Series.
"Elliot uses programming and social engineering techniques to seek and exploit weakness in computer networks, and I use programming and sonic engineering techniques to help enhance the emotional content of each scene," said Mac Quayle. "Armed with our computers and an arsenal of software tools, we both attempt to create and discover the right combination of notes (code) and sounds (keystrokes) that help tell the story (access the network)."
"For this soundtrack, the idea was to include as much music as possible from Season 1 and organize it chronologically by episode," Quayle described. He used an almost all electronic palette for the show, adding only one organic instrument - a piano…

Although it made number ten in the U.K., Fleetwood Mac's second album was a disappointment following their promising debut. So much of the record was routine blues that it could even be said that it represented something of a regression from the first LP, despite the enlistment of a horn section and pianist Christine Perfect (the future Christine McVie) to help on the sessions. In particular, the limits of Jeremy Spencer's potential for creative contribution were badly exposed, as the tracks that featured his songwriting and/or vocals were basic Elmore James covers or derivations. Peter Green, the band's major talent at this point, did not deliver original material on the level of the classic singles he would pen for the band in 1969, or even on the level of first-album standouts like "I Loved Another Woman"…

A live concert from January 25, 1969, recorded in Los Angeles by soundman Dinky Dawson. The fidelity is very good (excellent, in fact, by late-1960s standards), and the band are good form on a nine-song set (a tenth track is just a "Tune Up") that sticks mostly to lesser-known originals and covers. That means you don't get classics on the order of "Black Magic Woman" or "Oh Well," but on the other hand it's nice to hear different versions of some of the lesser-known early Mac originals, like Peter Green's anguished "Before the Beginning" and one of Danny Kirwan's better tunes, "Something Inside of Me." It's getting hard to keep track because of the bumper crop of official and semi-official live late-sixties Fleetwood Mac releases now available, but this is the first appearance of "Lemon Squeezer" to my knowledge, and "My Baby Sweet" is not easy to come by…

Various Artists - Reaching Out: Chess Records At FAME Studios (2015) {Kent Records CDKEND436 rec 1967-1969}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 257 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 300 dpi (jpg) -> 33 Mb | 5% repair rar
© 1967-69, 2015 Geffen / Kent Records / Ace Records | CDKEND 436
Soul / Rhythm and Blues / Southern Soul

Chess Records called Chicago home but the label often looked elsewhere for singers and singles. Usually, this amounted to some variation on direct licensing – independent record producers or studio owners would send sides to Chess, hoping for release – but between 1967 and 1969, Chess sent a number of its artists down to FAME Studios in Muscle Shoals in Alabama. This wasn't a burst of inspiration on the label's part. Chess was following the path of Atlantic, who had considerable success recording Wilson Pickett and Percy Sledge at FAME, but once Atlantic's Jerry Wexler fell out with FAME's Rick Hall, the Alabama studio had space for Chess artists and the Chicago label was willing.

Dexter Gordon - Live at The Playboy Jazz Festival (2018) {RSD Limited Exclusive, LP ROGV-063 rec 1982}
FLAC (tracks) - 16bit/48kHz - VINYL RIP -> 286 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (jpg) -> 8 Mb | 5% repair rar
© 1982, 2018 Elektra / Warner / Run Out Groove | ROGV-063
Jazz / Bop / Hard Bop / Saxophone / Vibes

Black Friday/Record Store Day Exclusive. Limited to 2000 copies worldwide. Live At The Playboy Jazz Festival features the entire set that Dexter Gordon and his working band recorded at the Hollywood Bowl for the Playboy Jazz Festival in 1982, with guest vibes on two tracks by Milt Jackson. This Record Store Day Black Friday exclusive features two previously unreleased tracks (Bag's Groove & The Blues) and two tracks ("Fried Bananas" and "You've Changed") in their complete unedited form to round out the full set.

Various Artists - The Ace Story, Volume 3 (2011) {Ace Records CDCHD1297 rec 1956-1965}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 232 Mb | MP3 @320 -> 130 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1956-65, 2011 Ace Records | CDCHD 1297
Rhythm & Blues / Rock & Roll / Early R&B / Soul / Funk / New Orleans R&B

In revisiting the strength and depth of Johnny Vincent’s original Ace imprint, and its subsidiaries Rex and Vin, what’s immediately obvious is the quality of the often freewheeling studio musicians who recorded for the label. With rampant saxes and rolling pianos, more than likely anchored by Earl Palmer’s tight drumming, the Ace ensembles hit the button every time with their rocky, earthy tracks.

Randy Weston - Mosaic Select 4 (2003) {3CD Set, Mosaic MS-004 rec 1957-1963}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.13 Gb | MP3 @320 -> 514 Mb
Full Artwork @ 300 dpi (jpg) -> 110 Mb | 5% repair rar
© 1957-63, 2003 Mosaic Records / EMI Music | MS-004 / 72435 82413 2 7
Jazz / Hard Bop / Post Bop / Piano

The three CDs that make up the Randy Weston Mosaic Select package comprise the complete sessions from six different albums, one of which was previously unreleased. Weston has had a long and varied career, and one that has established him in the consummate realm of piano soloists with his idiosyncratic, inclusive style. His deep jazz roots were accompanied, almost from the beginning, by the influences of Afro-Caribbean folk and the music of Asia, which he encountered during his tenure with the U.S. armed forces.

Miles Davis - Directions (1997) {2CD Set, Sony Music Japan, Master Sound SRCS 9310~11 rec 1960-1970}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 656 Mb | MP3 @320 -> 219 Mb
Full Artwork @ 600 dpi (png) -> 38 Mb | 5% repair rar
© 1960-70, 1997 Sony Music Japan | SRCS 9310~11 | Master Sound SBM
Jazz / Hard Bop / Post Bop / Fusion / Trumpet

This double album of leftover items not previously issued features Davis over a ten-year period. "Song of Our Country" is from the sessions that led to Sketches of Spain and there is a "new" version of "'Round Midnight" from 1961 along with "So Near, So Far" dating from 1963. Otherwise the remainder of this two-fer is from the transitional 1967-70 period when Davis was experimenting with combining jazz and rock. Some of the selections ramble on a bit too long but the music is mostly quite fascinating, featuring such players as Wayne Shorter, Herbie Hancock, Joe Zawinul, Chick Corea and John McLaughlin. It's most highly recommended to collectors with an open ear toward fusion.

Various Artists - The Ace Story, Volume 5 (2012) {Ace Records CDCHD1351 rec 1956-1962}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 144 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1956-62, 2012 Ace Records | CDCHD 1351
Rhythm & Blues / Rock & Roll / Early R&B / Soul / New Orleans R&B / Blues

All good things must come to an end. And so it is that, having reached Volume 5 this month, we bid a fond farewell to “The Ace Story”. There’s enough good stuff left in the vaults of Johnny Vincent’s label to fill five more CDs, but our original plan was to expand the albums we put out in the late 70s and early 80s, so we’re stopping here – for now, at least – in the knowledge we have built a library of compilations that show the venerable imprint in its very best light.