When Dizzy Gillespie put his hat in the ring for President of the United States in 1964, he also offered to be the first African-American astronaut, just in case they couldn’t find anyone else. In making Dizzy Atmosphere, Dave Douglas’s tribute to the great trumpeter, composer and humanist, Douglas said he wanted to explore Dizzy’s experimental and wide open mind as well as the influence of his music.
RÉVÉLATION ! Nouveauté. Jeune trompettiste espagnol né en 1991, Bruno Calvo s’est installé en 2013 à Amsterdam pour y étudier. Parmi ceux qui lui ont prodigué leçons et conseils, on trouve Avishai Cohen ou Ambrose Akinmusire. Très actif comme sideman, il se présente ici son premier opus en tant que leader. En guise d’introduction minimaliste sur un tapis rythmique obsédant, Erytheia ouvre l’appétit. Offrant le même espace au drumming de Iago Fernandez, Dolores séduit par ses contours mélodiques et un phrasé incisif et bondissant, avant un premier solo où le leader affirme une aisance souriante : parfois proche d’un Freddie Hubbard par le style et la sonorité, avec ici ou là des pointes plus échevelées à la Don Cherry.
Pianist Larry Vuckovich revisits his landmark 1980 recording on this combined reissue and new release. Prefiguring the much-lauded work of Dave Douglas and the Tiny Bell Trio, guitarist Brad Shepik, and even John Zorn, the Yugoslavian-born Vuckovich combines the ethnic melodies and rhythms from his native Balkans with modal jazz. Never as avant-garde as his contemporaries, Vuckovich nonetheless pushes the boundaries of both jazz and folk styles. The original tracks featured the brilliant vibe playing of Bobby Hutcherson, who unfortunately does not reprise his role on the four new pieces.
Superlatives are inadequate for the box record company Universal Music recently released. Two hundred hits on ten CDs, hundreds of hits and a lot of TV and news clips on five DVDs and then another book as reference book. It can not be on. The disadvantage of the Testament of the sixties is that for a hundred euros a hefty investment. The advantage that you are now ready to be a hit with your sixties Collection.
Superlatives are inadequate for the box record company Universal Music recently released. Two hundred hits on ten CDs, hundreds of hits and a lot of TV and news clips on five DVDs and then another book as reference book. It can not be on. The disadvantage of the Testament of the sixties is that for a hundred euros a hefty investment. The advantage that you are now ready to be a hit with your sixties Collection.
For the first jazz release on his self-run Aleph label, Schifrin flew to Cologne, Germany to record this solid remake of Gillespiana, his 1960 five-movement concerto for Dizzy Gillespie with which Schifrin had been touring earlier in 1996. Designed to illustrate the sources that inspired Gillespie's music, the work remains one of the chameleonic Schifrin's best in a big-band idiom, particularly the dynamic Afro-Cuban-flavored blues "Toccata" that closes the concerto.