Here you have three absolutely breathtaking jazz performers locked into a studio for a day or so. From this combination of guitar, standup bass, and acoustic drum kit, you've got nine tracks of sheer jazz joy – three guys just blowing for the hell of it, recorded on the fly. There's a strong sense here that engineer Rob Eaton probably tried to get everybody properly set up and balanced before the session started and just gave up when everybody started playing. It's a delight to hear, because everything has gone into the performance, which is spontaneous and graceful – no going back for the next take here. Pat Metheny's playing is definitely modernistic, highly fluid, almost liquid lightning – no effects boxes here, though (he does play Synclavier on the last track, "Three Flights Up," but it's great anyway). Roy Haynes, likewise, should be heard by anybody wanting to get behind the traps: this man has a sense of humor, and he's a blur of motion. Dave Holland, on bass, is no slouch either, keeping pace with Metheny's guitar lines, and balancing up against Haynes' drums. Together, these guys are incredible.
Though Richie Beirach isn't obscure, he isn't as well-known as he should be. A flexible pianist, Beirach can be quite lyrical on standards, although being cerebral and abstract also comes easy to him. One of the more cerebral, unsentimental albums he recorded in the '90s was Trust, a fine post-bop trio date boasting Dave Holland on bass and Jack DeJohnette on drums.
Another Land is the new album from the all-star trio featuring Dave Holland, Kevin Eubanks and Obed Calvaire and a power-packed set of originals. This is a potent studio set of fluid themes developed by the band and forged in the furnace of live performance. During the live shows that preceded the recording of Another Land, Dave explains “we were doing a continuous set, once we started we very rarely stopped, we just kept going,”. The Guardian described the shows as a “blues-fuelled inferno summoning the spirit of Hendrix”