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Noise in Your Head is a new five-disc box set that brings together Toyah Willcox‘s three albums as ‘The Humans’ and presents them to a wider audience with a raft of bonus material.

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.

"The Next Day: Extra" is the collector's edition of David Bowie's critically acclaimed 2013 album "The Next Day". The package includes 24 audio tracks. There is the original 14 track album, as well as the three tracks from the original deluxe edition of "The Next Day", plus four new studio tracks, a bonus track ("God Bless The Girl"), and two new remixes. One of the remixes is done by famed musician/producer/DJ James Murphy, who reworked "Love Is Lost" into a 10-plus minute epic.

"The Next Day" is the highly anticipated album by rock legend, David Bowie. The influential musician surprised fans with a haunting video for a new song entitled "Where Are We Now?" and buzz soon began. Produced by long-time collaborator Tony Visconti, "The Next Day" is Bowie's first album in ten years. This rich artistic statement has already received praise from The Guardian, The Independent, The Times, Rolling Stone, Billboard, and many others. Bowie's impressive track record includes album sales exceeding 130 million and countless sold-out shows. His vocals and bold songwriting are as strong as ever.

After repeated praises received by his debut album, Vintage Christmas, and follow-up EP, Vintage Christmas Wonderland, pianist and arranger David Ian explores a familiar world of jazz classics with the vintage feel that defines the sound of his recordings. His third studio album, Valentine’s Day in time for the occasion. Ian’s feel remains intimate with a small jazz combo led by his delicate piano arrangements, which ASSOCIATED PRESS states is “seamlessly melding the some traditional compositions with the perfect hint of lounge-meets-jazz phrasing.” The selections on this album reflect David Ian’s own journey in discovering jazz, with many of the tracks among the first standards he came to love.