Daz Studio Master Class

After having built a career as a beloved troubadour in his native Australia, Daz Cordeux dipped from the limelight in 2015 and immersed himself in his record collection, soaking up the sunshine-drenched, jangly guitars of 60s artists and their Britpop successors

Master Human Anatomy, sculpt all the muscles and learn where they attach plus more

Heinrich Laufenberg lived and worked between c.1390 and 1460 in the Swiss canton of Argovia, southern Germany and Alsace. He was the author of a vast body of works, comprising spiritual hymns, didactic epics and religious prose. A manuscript housed in the Strasbourg Library, which took up the major part of his work, was completely destroyed in a fire in 1870. Happily, a copy had been made of it, so part of his oeuvre was able to be passed on to posterity.

After revealing that his next album would focus on gospel, Snoop Dogg has announced more details about the project. It’s called Bible of Love and it’s out March 16 via Snoop’s new gospel record label, All the Time Entertainment. It features Faith Evans, B Slade, Rance Allen, Tye Tribbett, and more. Check out his new video for “Words Are Few” below. “I’m working on a gospel album,” Snoop said on Beats 1 last May (via XXL). “It’s always been on my heart. I just never got around to it because I always be doing gangsta business or doing this or doing that.”

The work featured in the Octavians’ GENUIN release is 700 years old: the Kreuzleich by Heinrich “Frauenlob” von Meissen. The multi-award-winning a cappella ensemble with three countertenors takes on this fascinating work in a new guise, as a new composition by Karsten Gundermann for soloists, chamber choir, and orchestra. The result is sensational: a lively mixture of age-old and new, of archaic sounds and orchestral colors, sung and performed at the highest level. In terms of repertoire and entertainment value, highest ratings for this total work of art that inspires at every moment!

Actress, real name Darren Jordan Cunningham, known to friends as DAZ, returns with a new album, now on Ninja Tune and a new music system called "AZD" (pronounced "Azid"), a chrome aspect journey into a parallel world. An artist who has always preferred to make music than to talk about it, in "AZD" he has achieved another remarkable landmark, one which is as resistant to interpretation as it is demanding of it. Following on from his previous albums, R.I.P, Splazsh and Hazyville, an epilogue poem attached to the press release for Ghettoville was construed by media, commentators and spectators that Cunningham had retired. This led him to conceptualise this mass of conclusion as the key to "Giving power back to identity".

Actress, real name Darren Jordan Cunningham, known to friends as DAZ, returns with a new album, now on Ninja Tune and a new music system called "AZD" (pronounced "Azid"), a chrome aspect journey into a parallel world. An artist who has always preferred to make music than to talk about it, in "AZD" he has achieved another remarkable landmark, one which is as resistant to interpretation as it is demanding of it. Following on from his previous albums, R.I.P, Splazsh and Hazyville, an epilogue poem attached to the press release for Ghettoville was construed by media, commentators and spectators that Cunningham had retired. This led him to conceptualise this mass of conclusion as the key to "Giving power back to identity".

Actress, real name Darren Jordan Cunningham, known to friends as DAZ, returns with a new album, now on Ninja Tune and a new music system called "AZD" (pronounced "Azid"), a chrome aspect journey into a parallel world. An artist who has always preferred to make music than to talk about it, in "AZD" he has achieved another remarkable landmark, one which is as resistant to interpretation as it is demanding of it. Following on from his previous albums, R.I.P, Splazsh and Hazyville, an epilogue poem attached to the press release for Ghettoville was construed by media, commentators and spectators that Cunningham had retired. This led him to conceptualise this mass of conclusion as the key to "Giving power back to identity".