Deep Purple, Woosh!

"Bombay Calling" was recorded in early 1995 and is one of the first shows Deep Purple played with Steve Morse showcasing his virtuosic guitar skills and some of the new material would later make it onto the widely celebrated studio album "Purpendicular". Astonishingly, the long thought lost master tapes for this unforgettable show in Mumbai were found lying around in an old cardboard box in November 1999.

Recorded live 25/09/1999 & 26/09/1999 in London with the London Symphony Orchestra at the Royal Albert Hall. Taken from the album 'Deep Purple In Concert - With The London Symphony Orchestra'.

Amid the ever-growing tide of Deep Purple box sets (this was at least their eighth in nine years), Listen Learn Read On stands alone, not only as the ultimate round-up of the band's greatest moments, but also as the answer to more collectors' dreams than most collectors were even aware they'd had. You want Deep Purple's long-legendary, but forever unavailable BBC sessions? They're here. You want the killer live encores that other albums omitted? They're here. You want a solid introduction to the band members' pre-Purple passages? They're here. And, of course, you want the hits. So they're here as well…

The Deep Purple Singles A’s & B’s is a compilation album of singles released by the British hard rock band Deep Purple. It was released on vinyl in October 1978. An updated version of the album was issued on CD in 1993 and contains the complete collection of Deep Purple’s UK singles, recorded and released from 1968 to 1976 by the Mk I, II, III and IV line-ups of Deep Purple.

Though it was considered a disappointment upon its release (indeed, its production was much too sleek at times, and it lacked the creative daring of Perfect Strangers), 1987's House of Blue Light has actually stood the test of time just as well, if not better, than its predecessor. The second effort from the re-formed Mark II lineup, this album showed Deep Purple searching for an '80s-flavored hit single, and by doing so, sounding uncomfortably similar to guitarist Ritchie Blackmore's other band, Rainbow. Virtually all of the record's first half suffers from this (especially "Unwritten Law" and "Bad Attitude"), but things improve with the Eastern-flavored melodies of "The Spanish Archer" and "Strange Ways."

When Ritchie Blackmore left Deep Purple in early 1975, many fans figured that the band was over. But with the arrival of worthy replacement Tommy Bolin, the band was suddenly back in business with the oft-overlooked Come Taste the Band release. What the prior members of Deep Purple didn't know, however, is that their new guitarist had a serious drug problem, which hampered his playing by the time the group landed in Japan for a series of shows in December of 1975. With Bolin allegedly having no feeling in one of his arms on the night of a Purple gig at the Budokan, the show was to be taped for a future release.

“Whoosh!” sees Deep Purple for the third time joining forces with producer Bob Ezrin, who invited the band to Nashville to write and record new songs. Together they created the most versatile album in their collaboration. Deep Purple “stretched out in all directions” without any limitation, letting their creativity go. “Deep Purple is putting the Deep back into Purple” was the half-joking motto in the studio after the first songs made it clear that Ezrin and Purple were on their path to creating an album pushing the boundaries of time, while voicing their resentment about the current situation of the world and addressing all generations. In recent years, Deep Purple has progressively moved into new areas, piquing the interest of fans who were not born when the mighty Purple machine ruled the music world.