Supermax was a project of Austrian musician and producer, Kurt Hauenstein, best known for "Lovemachine", a 1977 German #4 single, that peaked at #6 in Switzerland, #9 in Austria and #96 in US. The first members of the band were Kurt Hauenstein (Mini Moog, vocals), Hans Ochs (guitar), Ken Taylor (bass guitar), Lothar Krell (keyboards), Peter Koch (percussion), Jürgen Zöller (drums) and the singers Cee Cee Cobb and Jean Graham. After Ken Taylor left the band in 1979, Kurt Hauenstein returned to his origin music instrument, the bass guitar. Later, Bernadet Onore Eben and Jessica Hauenstein, the daughter of Kurt Hauenstein, joined the group as backing vocal singers. In 1981, Supermax toured as the first mixed-race band through South Africa for 21 gigs.
Kim Wilde needs no introduction, having registered a staggering 30 hits on the UK charts since 1981, and selling over 30 million records globally. Now, for the first time, her stellar career is celebrated with the release of a truly comprehensive Kim Wilde hits collection. The 2 CD edition features the radio edits of many of Kim’s classic hits, including ‘Kids In America’, ‘You Came’, ‘You Keep Me Hangin’ On’, ‘Love Is Holy’ and ‘Kandy Krush’, as well as two brand new tracks – ‘Shine On’, featuring Boy George and ‘You’re My Karma’ with Tom Aspaul.
Over the years, there have been a surplus of Fleetwood Mac compilations but prior to 2018's 50 Years: Don't Stop, very few have attempted to tell the band's story from beginning to end. There was only one, actually: 25 Years-The Chain, released two years into the Mac's uncertain post-Lindsey Buckingham era. Buckingham rejoined the band in 1997 but he was kicked out prior to the November '18 release of 50 Years: Don't Stop, his departure coloring the perception of the triple-disc compilation in the sense that Fleetwood Mac's story doesn't belong to him. 50 Years proves this through its chronological sequencing, which underscores the group's evolution from blues-rockers to album rock titans and, finally, to pop superstars (its accompanying single disc of highlights, in contrast, is deliberately front-loaded with hits, so it's not as instructive).