Desiree Barclay

Esoteric Recordings is pleased to announce the release of a newly re-mastered, re-mixed and expanded 3 disc clamshell box edition of the classic album, “Barclay James Harvest and Other Short Stories”. Recorded and released in 1971, the album was the third by BJH and was recorded at Abbey Road studios and was co-produced by the band and ex-Pretty Things member Wally Allen. Widely regarded (along with “Once Again”) as one of the band’s early masterpieces, “…Other Short Stories” featured such classic tracks as ‘Medicine Man’, ‘Ursula (The Swansea Song)’, ‘The Poet’ and the epic ‘After the Day’. The album was critically acclaimed upon its release by Harvest Records and was also issued by Sire Records in the United States with some remixed versions of tracks. The album also featured the Barclay James Harvest symphony orchestra conducted by Martyn Ford and arrangements by Toni Cooke and Martyn Ford.

Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic gold selling 1976 album by Barclay James Harvest, “Octoberon”. Originally released at the end of October 1976, the album was a big selling release for the band achieving Silver disc status in the UK and Gold in Germany, their first breakthrough album in that territory.

Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic gold selling 1978 album by Barclay James Harvest,"XII". Originally released in September 1978, the album was another big selling release for the band achieving Silver disc status in the UK and Gold in Germany. The album followed in the wake of “Gone to Earth” and saw BJH consolidate the success they had found in Germany and Europe.

In 1966 two R & B bands local to Oldham (UK) merged to form a blues outfit The Blues Keepers. With sponsorship from a local businessman (also their manager) they rented an 18th century farmhouse where they practised extensively, gradually moving towards a progressive rock style then beginning to emerge. On turning professional the name Barclay James Harvest was adopted, and the line-up stabilised as John Lees (guitars, vocals), Les Holroyd (bass, rhythm guitar, vocals), Stuart "Wooly" Wolstenholme (keyboards, vocals) and Mel Pritchard (drums). After releasing their first single in April 1968, the band joined the legendary progressive Harvest label, quickly expanding their musical horizons, chiefly by experimenting with longer evolving song structures and orchestrations…

This is compilation of BJH starting from when they left EMI's Harvest label in the mid 1970's. It therefore covers the period from their first Polydor album, "Everyone is everybody else". Unlike most stories, this one begins somewhere in the middle with a single edit of the title track from the "Ring of changes" album. The Harvest years are represented only by a later live version of the perennial "Mocking bird" taken from their famous Berlin concert. The overriding concern here is that the compilation purports to tell the "Story" of BJH.

Barclay James Harvest was, for many years, one of the most hard luck outfits in progressive rock. A quartet of solid rock musicians – John Lees, guitar, vocals; Les Holroyd, bass, vocals; Stuart "Wooly" Wolstenholme, keyboards, vocals; and Mel Pritchard, drums – with a knack for writing hook-laden songs built on pretty melodies, they harmonized like the Beatles and wrote extended songs with more of a beat than the Moody Blues…

Live (1974). Though it seems odd that a live album could serve as a band's breakthrough release, Live shows the band clearly building upon the strengths of their previous studio albums while avoiding their excesses. Without a string section to back them up - or to smother them, depending on your thinking - the band draws more heavily on its rhythm section and on the tonal colorings of Wolstenholme's Mellotron, the latter most clearly on "The Great 1974 Mining Disaster." The rich harmonies, political content, and poignant twang of John Lees songs like "For No One" come across here with the same kind of ragged majesty as Neil Young's live work. And an epic-length "Medicine Man," unburdened of its heavy orchestral arrangement and beefed up with a newly emphasized guitar and drum parts, reveals the brawn lurking beneath the lassitude of the studio version…