Desiree Barclay

Live (1974). Though it seems odd that a live album could serve as a band's breakthrough release, Live shows the band clearly building upon the strengths of their previous studio albums while avoiding their excesses. Without a string section to back them up - or to smother them, depending on your thinking - the band draws more heavily on its rhythm section and on the tonal colorings of Wolstenholme's Mellotron, the latter most clearly on "The Great 1974 Mining Disaster." The rich harmonies, political content, and poignant twang of John Lees songs like "For No One" come across here with the same kind of ragged majesty as Neil Young's live work. And an epic-length "Medicine Man," unburdened of its heavy orchestral arrangement and beefed up with a newly emphasized guitar and drum parts, reveals the brawn lurking beneath the lassitude of the studio version…

BBC in Concert is one of those miraculous archival finds that one just can't anticipate and dares not hope for. Apart from Yes (always the exception to a lot of rules), very few progressive rock bands managed to get themselves recorded live under optimum conditions, much less so early in their careers…

Like the work of Buffalo Springfield or the Moody Blues in the first go 'round, you'll need to take it on faith that the Baroque touches on Barclay James Harvest and Other Stories were effective for their time. The fuzzed guitars, Mellotron, bongos, heavy orchestration and dreamy arrangements may sound stilted today, but strip them away (or simply acquiesce to enjoy them) and a very good collection of songs reveals itself…

Barclay James Harvest was, for many years, one of the most hard luck outfits in progressive rock. A quartet of solid rock musicians John Lees, guitar, vocals; Les Holroyd, bass, vocals; Stuart "Wooly" Wolstenholme, keyboards, vocals; and Mel Pritchard, drums with a knack for writing hook-laden songs built on pretty melodies, they harmonized like the Beatles and wrote extended songs with more of a beat than the Moody Blues.