Some musicians experience a sacred and deeply intimate relation with their art. When a 19-year-old Dhafer Youssef discovered Indian music in Vienna, where he was studying classical music, it had the effect of a bewildering epiphany on him. Hindu sonorities struck a deep chord within Dhafer’s musical soul – thirty years later, the Tunisian composer reminisces : « I was both filled with wonder as well as deeply convinced that one day I would be performing alongside the most legendary players of Indian music ». A memorable show from Ali Akbar Khan, the master of Indian sarod, at the Wiener Konzerthaus in Vienna came to seal the deal for the vocalist and oud master. From then on, Dhafer Youssef lived and breathed Indian music. Or was it Indian music that had appointed him to become its messenger?
Tunisian oud master, vocalist, and composer Dhafer Youssef is globally renowned for his restless musicality. He has used his ancient instrument – five millennia and counting – to explore jazz, classical, and blues, in addition to the classical and folk musics of the Middle East, North Africa, and Mediterranean regions. The ephemeral Birds Requiem is his debut offering for Sony's resurrected Okeh imprint. The players on this date include his trio with pianist Kristjan Randalu and trumpeter Nils-Petter Molvaer, and the complete ensemble (which recorded primarily in Sweden) features clarinetist Hüsnu Senlendirici, bassist Phil Donkin, drummer Chander Sardjoe, and electric guitarist Eivind Aarset, which also provides various electronic treatments.
Acclaimed for his fusion of world music with jazz, vocalist and oud player Dhafer Youssef now focuses more on the acoustic side of jazz with an exciting new quartet that includes pianist Tigran Hamasyan, bassist Chris Jennings and drummer Mark Guiliana. This new recording contrasts the sense of calm and serenity created by Dhafer's mesmeric voice and oud playing with Guiliana's trademark combination of energetic rhythmic multiple layers. The very special mix of musical elements and creative talent produces a new and original soundscape. With the musicians' commitment to exploring and experimenting paired with their subtlety and courage to be silent, it is sure to catch the ear of any attentive listener.
Austrian Syndicate…the phrase immediately brings to mind the best-known and most influential of all Austrians in jazz, Joe Zawinul. And yet David Helbock’s project is much more than just a homage to his compatriot. It is a return to the roots of fusion jazz and how things developed from then on. It is also a new direction stylistically for Helbock, who has harnessed a panoply of inspiration with a refreshing openness to new sounds from far and wide. As Helbock himself puts it: "This is close to my heart." Helbock has been able to enlist the best rhythm section in Austria for the Syndicate: Raphael Preuschl on bass and bass ukulele, drummer Herbert Pirker and percussionist Claudio Spieler. The quintet also has an American in it, one for whom becoming Austrian was a matter of choice: pianist Peter Madsen. This Austrian supergroup is also a place where Helbock’s stellar international guests shine brightly: Maria João, Fred Wesley, Dhafer Youssef, Alex Acuña and Lakecia Benjamin.