This CD features a logical combination: singer Diane Schuur with the Count Basie big band. In what would be longtime rhythm guitarist Freddie Green's final performance, Schuur and the Basie ghost band (under the direction of Frank Foster) perform material that includes her standards (such as "Deedles' Blues" and "Climbing Higher Mountains"), Dave Brubeck's "Travlin' Blues" and the Joe Williams-associated "Everyday I Have The Blues." Unfortunately, the Basie band is mostly used in accompaniment without any significant solos, but Schuur sounds quite comfortable in this format and her voice is in prime form.
Artists are liminal figures — they cross thresholds and collapse boundaries between past, present, and future. In THE NEW EPOCH, three musicians from the Boston Artists Ensemble interpret works by French composers Fauré, Debussy, Ravel, and Lili Boulanger, infusing these pieces with unprecedented freshness and clarity. Each celebrated in their own right, cellist Jonathan Miller, violinist Lucia Lin, and pianist Diane Walsh join forces in every duo setting possible from this assortment of instruments. Exploring works written at the threshold of the First World War — with the world crossing into the violent twentieth century and composers reacting with music that looked both nostalgically back and innovatively forward — they underline the commonalities between each composer’s unique voice and reinterpret this music for our turbulent present. Each celebrated in their own right, cellist Jonathan Miller, violinist Lucia Lin, and pianist Diane Walsh join forces in every duo setting possible from this assortment of instruments. Exploring works written at the threshold of the First World War –– with the world crossing into the violent twentieth century and composers reacting with music that looked both nostalgically back and innovatively forward –– they underline the commonalities between each composer’s unique voice and reinterpret this music for our turbulent present.
Diane Schuur has always enjoyed singing standards, but Timeless, her third recording, was her first full-length set to be continually interesting to jazz listeners. With arrangements by Billy May, Johnny Mandel, Patrick Williams and Jeremy Lubbock, Schuur is backed by a large string orchestra and a big band…