Diaplsy Manu

Eagerly awaited second ECM album by French-African drummer Manu Katche. Recorded in New York’s Avatar Studio in January 2007, “Playground” picks up where the best-selling “Neighbourhood” left off: in the interim the project has coalesced into a rip-roaring and fully-integrated band. Manu’s group, featuring a Polish/Norwegian confederacy of young players, is energized by his hard driving drums and by his compositions which invite spirited solos… Together, the quintet - whose strong new frontline features Mathias Eick and Trygve Seim - makes exciting, zestful music.

When the talented session drummer Manu Katche decided to release his own solo effort, his colleagues from studio gigs with Sting, Peter Gabriel, Tori Amos, Joni Mitchell, Tracy Chapman, and Dire Straits were happy to sign on to help the talented Mr. Katche record It's About Time. Among them, guitarists Daniel Lanois, keyboardist Simon Clark, and sax legend Branford Marsalis join Katche to create some thrilling jazz- and funk-influenced rock cuts. Warm and soulful, Katche's tunes reflect the influence of Nothing Like the Sun-era Sting, perhaps more than any of the other artists that the drummer previously supported.

The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock 'n' roll to French pop to experimental rock to techno… Just about every track has odd sampled bits from what sound like pirate radio-station broadcasts (a possible link to the title). There are so many great ideas on this record that it's difficult to digest in one listen, but multiple plays reveal the great depth of Manu Chao's artistry.

The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock & roll to French pop to experimental rock to techno…

The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock & roll to French pop to experimental rock to techno. Chao's voice tends to be a bit nasally, but the best songs ("Mentira," "Mama Call," and the silly novelty "Bongo Bong") here benefit from his infectious, freewheeling delivery which incorporates balladry, chorus vocals, rapping, and tossed-off spoken-word passages. Just about every track has odd sampled bits from what sound like pirate radio-station broadcasts (a possible link to the title). There are so many great ideas on this record that it's difficult to digest in one listen, but multiple plays reveal the great depth of Manu Chao's artistry.

At the age of 12, Alexandre Cavaliere met Didier Lockwood, who invited him to Paris, giving his career a flying start. Then, everything followed naturally. Alexandre Cavaliere has been touring the international scene and has an impressive list of performances: at the Princess Grace Theatre in Monaco, as the opening act for Michel Jonasz at the Olympia, at the Espoo Jazz Festival in Finland, at the Brosella Folk & Jazz Festival and at the Djangofolllies, or again, thanks to Dorado Schmitt, in New York, at the Django Reinhardt Festival at Birdland.