Die Gesamtwirtschaftliche Problematik Steigender Verkehrsunflle

Die in Österreich beheimateten Wiener Philharmoniker wurden 1842 von Otto Nicolai ins Leben gerufen. Unabhängig und demokratisch überlebte das Ensemble das Ausscheiden des Gründers und existiert auch im 21. Jahrhundert weiter. Nach Nicolais Ausstieg probte das Orchester nur gelegentlich, was sich 1860 änderte, als Karl Eckert den Dirigentenstab übernahm und für einen neuen Fokus sorgte. In den nächsten 60 Jahren leiteten viele berühmte Dirigenten das Orchester, wie z.B. Hans Richter und Gustav Mahler. 1933 fiel die Entscheidung, keinen "Festdirigenten" mehr zu engagieren. Seitdem wurde das Ensemble von Richard Strauss, Arturo Toscanini, Georg Solti und James Levine dirigiert.

Our Leo Fall cycle continues with Die Rose von Stambul. This operetta in three acts offers music that is full of feeling. This highly emotional work celebrated its premiere with great success at the Theater an der Wien in 1916. Die Rose von Stambul’s 422 straight performances made it the most successful operetta in the history of the Theater an der Wien, next to Franz Lehár’s The Merry Widow. Within the shortest time performances followed throughout Central Europe. However, like Emmerich Kálmán’s The Csárdás Princess, it did not become an international success – primarily because of World War I, since the theaters of the Allied countries had stopped staging German-language works.Achmed Bey, the son of a Turkish minister, is married to Kondja, “The Rose of Stamboul”. However, she has exchanged letters with a passionate novelist and fallen in love with him. What she does not suspect: none other than her husband is behind this pseudonym – which provides plenty of opportunities for the expression of emotions – rendered in the Viennese waltz mode (“Ein Walzer muss es sein”) or tunes of Oriental flair.

Zwei Jahre ist es her, dass die Toten Hosen ihr gefeiertes Doppelalbum »Laune der Natur« inklusive »Learning English Lesson 2« veröffentlichten.

In his liner-notes to Hermann Max’s C.P.E Bach oratorio Die Auferstehung und Himmelfahrt Jesu the German musicologist Peter Wollny writes: "In the second half of the eighteenth century the German oratorio was marked by two characteristics. The tendency toward a highly individual depiction of emotions and the avoidance of dramatic operatic plots." Therefore composers turned away from stories from the Old Testament which were so successfully used, for instance, by Handel for his dramatic oratorios, and focused rather on the person of Jesus Christ. Bach's oratorio Die Israeliten in der Wüste seems to contradict this statement.

Julius Bauer, a man known not only for his intelligent, original, and witty texts but also as Vienna’s most influential theater critic, wrote the libretto for Die Juxheirat in 1904. This wild, dizzying, surprising, and bold work was far ahead of its times as well as reminiscent of The Taming of the Shrew – only carried to the absolute extreme.