Die Reichsaufsicht

Die Fledermaus (1874) is the ultimate Viennese operetta, composed by Johann Strauss Jr., the most famous member of the Strauss Waltz Dynasty. Once conceived as an attempt to creatively outgrow the dance-hall, the operetta was a huge success from the outset and still enchant audiences today with its unmistakably Viennese mix of comedy and sophistication and its uplifting waltz rhythms.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.

Franz Joseph Haydn's Die Schöpfung (The Creation) is one of the greatest oratorios, beloved for its moving religious content and admired for its abundant melodies, stirring choruses, imaginative scene-painting, and colorful orchestration. An argument can be made that period instrumentation and historically informed performance practices give a real boost to Haydn's scoring and effects, in ways conventional modern ensembles can't, and experts in early music make it especially striking by employing the sonorities the composer would have known and wanted.

Colin Davis has recorded a great deal of Haydn's music over his long career, and his late recordings have enjoyed critical and popular acclaim. This live performance was recorded at the Barbican in London in June 2010, when Davis was just short of his 83rd birthday, and for British audiences it has carried overtones of a golden age. In the late 1960s Davis recorded the oratorio Die Jahreszeiten, in its English version as The Seasons, for the Philips label with the BBC Symphony Orchestra, and that version remained a fixture of music stores through the late LP era.