Die Stereo

The unique listening test Edition IV " Visions of Jazz” offers excellent sound recordings on various media in various formats.

Jethro Tull's concept album about an aging rocker is expanded for 2-disc set that features unreleased music and footage recorded for a British TV Special. Remixed by Steven Wilson. In addition, flat transfer of the original album included.

Christoph Prégardien and Michael Gees are, beyond the shadow of a doubt, among the greatest interpreters of Schubert’s song cycle “Die schöne Müllerin”. The cycle deals with a period in the life of a young miller lad as he wanders along a stream in search of work; he meets a mill-girl and falls in love with her; then loses her to another man and, in deep despair, drowns himself in the millstream. “Die schöne Müllerin” - consisting of twenty songs - is an amazing compendium of the human psych which deals with the miller’s emotions as he finds, and then loses, his love.

The highly anticipated first release from the most finely crafted Ring cycle of modern times, Die Walküre features a sensational cast of Anja Kampe, Jonas Kaufmann, René Pape, Nina Stemme, Mikhail Petrenko and Ekaterina Gubanova.

E Nomine (from the Latin In Nomine, "In The Name Of") is a German musical project, formed in 1999, by producers Christian Weller and Friedrich "Fritz" Graner. Their music, which they call monumental dance, is an unusual combination of trance, techno, and vocals which closely resemble Gregorian singing and chanting. Other vocals are performed by German voice actors such as long-time collaborators Christian Brückner and Rolf Schult. The primary languages in the songs are German and Latin.

These are fresh, lithe and lean studio performances of old favourites, given by a fine Dutch cellist with an alert conductor-less Bremen chamber orchestra. Most arresting is the Saint-Saëns, freed from the overblown dramatic intensity familiar from performances by some 'big' cello virtuosi. The outer movements, are separated by an archaic 'escaped minuet', to quote Wispelwey's intelligent notes; the finale is an expanded version of the first. Balance is good, the cello a little more forward than it would generally be in concert. Good impressions are maintained in all the other items, the rococo variations light as befits a tribute to Mozart, the Bruch melody soulful and involving.

Following the success of Die Schöpfung (The Creation), which had swiftly gained popularity throughout Europe, Haydn’s librettist Baron Gottfried van Swieten suggested another project, based on James Thomson’s pastoral epic, The Seasons. One of Haydn’s last major works, Die Jahreszeiten depicts the yearly cycle of life in the countryside through the eyes of three peasants, providing us with music of thrilling vitality and creativity.

Ronald Brautigam has been described as ‘an absolutely instinctive Mozartian… with melodic playing of consummate beauty’ (International Record Review), and he is once again supported by the period orchestra Die Kölner Akademie conducted by Michael Alexander Willens in a partnership which more than one reviewer has termed ‘ideal’.

Rachel Podger has been recording and performing Bach's music for violin to critical acclaim for over two decades. In 2015 she became the tenth (and first female) recipient of the Royal Academy of Music Bach Prize. On this release she leads her own ensemble, Brecon Baroque, in JS Bach's monumental Art of Fugue (Die Kunst der Fuge). Bach's The Art of Fugue, BWV 1080, broken off at the end by the composer's death, was written out in open score, with no indication of instrumentation. This has given rise over the years to a variety of instrumental realizations, with keyboard performances being the most common, but string orchestra, or wind versions, and so forth, are also often essayed.

Backhaus was one of the great exponents of the Classical and Romantic repertory and his performances had an integrity that eschewed any unnecessary display and flamboyance; his concern was to give the most direct interpretation of what the composer wishes and the structure and architecture of his chosen repertory was paramount.