Pierre de la Rue wurde möglicherweise um 1452 in Doornik/Tournai im heutigen Belgien geboren. Dort arbeitete sein Vater Jehan als Illuminator (Buchmaler), seine Mutter, Gertrude de la Haye, stammte ebenfalls aus Tournai. Im 15. Jahrhundert waren dort beide Familiennamen geläufig. Wir nehmen an, dass Pierres Ausbildung, besonders als Musiker, mit einer Verbindung als Chorsänger an der berühmten Kathedrale der Stadt anfing. Als solcher bekam er dann, wie dort alle Chorsänger, die Tonsur. Wenn so, dann war das die erste entscheidende Situation seines Lebenslaufs, den er letztlich als Diaconus beschließen sollte. Zum Priester wurde de la Rue anscheinend nie geweiht.
For centuries, war and peace have been accompanied by music. Music was present on the battlefield, of course: the sounding of the trumpet as a signal to gather or attack, drumbeats to recruit soldiers or set them marching, battle songs to raise morale among the troops or instil fear in the bosom of the enemy. Once the hostilities were over, there was singing and dancing in the streets to celebrate peace.
This is not a groundbreaking album, but it's a very enjoyable interpretation of two long-time favorites: I can't say as I've ever fetishized the Requiem genre the way that some may have, but there's no arguing with the quality of this music. Ockeghem's reputation remains unchallenged today, and the Requiem is one of his most austere & enduring works. The transition from an earlier style to more elaborate counterpoint of the period also seems to mark something of the medieval twilight…. La Rue has been the most generally compelling composer of the next generation for me, and his Requiem is a virtuoso tour-de-force of low lows & high highs, not to mention the contrapuntal intricacy that La Rue developed to a level of subtlety like no one else….
Le phénomène des gangs de rue n’est pas associé à un problème d’immigration ni à un échec du processus d’intégration des immigrants. Il n’existe pas d’explication simple à leur présence, et les causes de leur apparition sont multiples et complexes : pauvreté, exclusion sociale, décrochage scolaire, marginalisation, négligence de la part des parents, manque de perspectives intéressantes pour les jeunes et banalisation de la violence. …
Music clearly fascinated the great Dutch artist Hieronymus Bosch (c.1450-1516); his sketches and paintings are peppered with closely observed depictions of music-making and musical instruments. Bosch, a native of ’s-Hertogenbosch in the Duchy of Brabant, was a life-long brother of the city’s Brotherhood of Our Illustrious Lady, a large and prestigious organization for which sacred music was an essential and highly-valued part of its devotional life. Every Wednesday Bosch could gather with his Confraternity brothers in their opulent chapel in the church of St. John the Evangelist to celebrate a votive Mass in honour of the Blessed Virgin.