Discogs.com

Bob Dylan - Desire (CBS 86003) (NL 1976, 1st Press) (Vinyl 24-96 &16-441.1)

Bob Dylan - Desire
(CBS 86003) (NL 1976, 1st Press) (Vinyl 24-96 &16-441.1)

1976 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 1,07 GB | 16Bit/44.1kHz: 331 MB

reupped 2009-12-12
The Alan Parsons Project - Pyramid (Arista 201 129) (GER 1978) (Vinyl 24-96 & 16-44.1)

The Alan Parsons Project - Pyramid
(Arista 201 129) (GER 1978) (Vinyl 24-96 & 16-44.1)

1978 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 717 MB | 16Bit/44.1kHz: 203 MB

Pyramid is a progressive rock album by The Alan Parsons Project. It was released in 1978. At the time this album was conceived, interest in pyramids and so-called pyramid power was very popular. A pyramid could be found on the back of a dollar bill, there were stories in the newspapers about the supposed magical properties of pyramids and of course, the cover of The Dark Side of the Moon (in which Parsons was the sound engineer).
Genesis - Wind & Wuthering (Phonodor 13119) (Israel 1977) (Vinyl 24-96 & 16-44.1)

Genesis - Wind & Wuthering
(Phonodor 13119) (Israel 1977) (Vinyl 24-96 & 16-44.1)

1977 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 973 MB | 16Bit/44.1kHz: 287 MB
Mike Batt with The London Philharmonic Orchestra - Caravans OST (CBS 70164) (NL 1978) (Vinyl 24-96 & 16-44.1)

Mike Batt with The London Philharmonic Orchestra - Caravans OST
(CBS 70164) (NL 1978) (Vinyl 24-96 & 16-44.1)

1978 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 656 MB | 16Bit/44.1kHz: 176 MB

reupped 2009-12-12
Tears For Fears - The Hurting (Mercury 811 039-1) (GER 1983) (Vinyl 24-96 & 16-44.1)

Tears For Fears - The Hurting
(Mercury 811 039-1) (GER 1983) (Vinyl 24-96 & 16-44.1)

1983 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 780 MB | 16Bit/44.1kHz: 230 MB

The Hurting is the debut album by British pop band Tears for Fears. It was released on March 7, 1983, and peaked at no.1 on the UK Album Chart. The album was certified Platinum by the BPI in January 1985. wikipedia
Deep Purple - Stormbringer (EMI Electrola 1C 062-96 004) (GER 1974) (Vinyl 24-96 & 16-44.1)

Deep Purple - Stormbringer
(EMI Electrola 1C 062-96 004) (GER 1974) (Vinyl 24-96 & 16-44.1)

1974 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 761 MB | 16Bit/44.1kHz: 246 MB

Stormbringer is the ninth studio album by Deep Purple, released in November 1974. On this album, the soul and funk elements that were only hinted at on Burn are much more prominent.
Billy Idol - Vital Idol (Chrysalis 207 077) (EU 1985) (Vinyl 24-96 & 16-44.1)

Billy Idol - Vital Idol
(Chrysalis 207 077) (EU 1985) (Vinyl 24-96 & 16-44.1)

1985 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 858 MB | 16Bit/44.1kHz: 274 MB

Vital Idol is a compilation of remixed singles from Billy Idol's first two albums. Peaking at number 10 on the Billboard 200, the album was supported by a live single version of "Mony Mony".
Floh De Cologne - Tilt! (plaene S 99 202) (GER 1975) (Vinyl 24-96 & 44.1)

Floh De Cologne - Tilt!
(plaene S 99 202) (GER 1975) (Vinyl 24-96 & 44.1)

1975 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 760 MB | 16Bit/44.1kHz: 226 MB

Floh de Cologne is a German band, active from 1966 to 1983, regarded as a pionner of Krautrock. Despite of an importing success at the beginning of the 70's, the band separated in 1983.
Chumbawamba - I Never Gave Up (Agit 5) (GER 1992) (12 Inch Vinyl 24-96 & 16-44.1)

Chumbawamba - I Never Gave Up 12"
(Agit 5) (GER 1992) (Vinyl 24-96 & 16-44.1)

1992 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 312 MB | 16Bit/44.1kHz: 104 MB

"I Never Gave Up" is a single from Chumbawamba, different version than "Rappaport's Testament: I Never Gave Up" off of their album Slap!.
Bruce Springsteen - Born In The USA (CBS 86304) (NL 1984) (Vinyl 24-96 & 16-44.1)

Bruce Springsteen - Born In The USA
(CBS 86304) (NL 1984) (Vinyl 24-96 & 16-44.1)

1984 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 939 MB | 16Bit/44.1kHz: 296 MB

Born in the U.S.A. is the seventh studio album by American rock singer-songwriter Bruce Springsteen, released on June 4, 1984. His popular and commercial triumph, it found Springsteen marking a departure in his sound – while the predecessor, the dark and acoustic Nebraska featured songs of pessimism and isolation, Born in the U.S.A.'s lyrics expressed signs of hope in the daily fight of the standard American in following the American Dream, a new feeling complemented by synthesized arrangements and a pop-flavored, radio-oriented sound that helped Springsteen to extend his already-growing popularity and dominate the mainstream audiences.