Dizzie Gillespie Shaw 'nuff

Bud Powell - The Complete RCA Trio Sessions (2009) {Essential Jazz Classics EJC55432 rec 1956-1957}

Bud Powell - The Complete RCA Trio Sessions (2009) {Essential Jazz Classics EJC55432 rec 1956-1957}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 441 Mb | MP3 @320 -> 188 Mb
Full Artwork @ 600 dpi (jpg) -> 49 Mb | 5% repair rar
© 1956-57, 2009 RCA / Essential Jazz Classics | EJC55432
Jazz / Bop / Piano

This release contains the complete original albums Strictly Powell and Swingin' with Bud, two of his last American releases prior to his departure to Europe in 1959. Both LPs showcase Powell in a trio format with bassist George Duvivier and drummer Art Taylor, who formed his regular trio at Birdland.
Freddie Hubbard - Back To Birdland (1982) {Drive Archive DE2-41036 rel 1994}

Freddie Hubbard - Back To Birdland (1982) {Drive Archive DE2-41036 rel 1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 221 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1982, 1994 Drive Archive | DE2-41036
Jazz / Hard Bop / Post Bop / Trumpet

This well-recorded outing (which has been reissued on CD by Drive Archive) was trumpeter Freddie Hubbard's first worthwhile studio recording (with the exception of Super Blue) since the mid-'70s. Essentially a bebop date, Hubbard is teamed with a sextet comprised of altoist Richie Cole, trombonist Ashley Alexander, pianist George Cables, bassist Andy Simpkins and drummer John Dentz; altoist Med Flory sits in on "Byrdlike." Hubbard shows on such standards as "Shaw Nuff," "Star Eyes" and "Lover Man" that he could still play straightahead jazz with the best of them, Alexander is featured on "Stella by Starlight" and Cole is also in excellent form.
Art Pepper ‎- Art Pepper + Eleven (Modern Jazz Classics) (1959) [MFSL, MFCD 805]

Art Pepper ‎- Art Pepper + Eleven (Modern Jazz Classics) (1959)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1991 | Mobile Fidelity Sound Lab, MFCD 805 | ~ 238 or 102 Mb | Scans Included
Bop, Big Band, Cool Jazz

This is a true classic. Altoist Art Pepper is joined by an 11-piece band playing Marty Paich arrangements of a dozen jazz standards from the bop and cool jazz era. Trumpeter Jack Sheldon has a few solos, but the focus is very much on the altoist who is in peak form for this period…
Oscar Peterson & Clark Terry - Oscar Peterson & Clark Terry (1975) [Reissue 1994]

Oscar Peterson & Clark Terry - Oscar Peterson & Clark Terry (1975) [Reissue 1994]
EAC Rip | FLAC (image+.cue+log) - 188 MB | Covers - 26 MB
Genre: Jazz, Bop, Piano Jazz | RAR 3% Rec. | Label: OJC/Pablo Records (OJCCD-806-2 (2310-742))

Pianist Oscar Peterson and flugelhornist Clark Terry always made for a perfect matchup. Their duet set (one of five Peterson made during this period) is quite friendly, witty and hard-swinging. C.T. generally sets the joyous mood and on numbers such as "On a Slow Boat to China," "Shaw 'Nuff," "No Flugel Blues" and "Mack the Knife," the warm-toned flugelhornist shows that he was one of the few who could truly keep up with the remarkable pianist.

Greg Osby - Public (2004)  Music

Posted by gribovar at June 9, 2021
Greg Osby - Public (2004)

Greg Osby - Public (2004)
EAC Rip | FLAC (tracks+.cue+log) - 349 MB | Covers - 15 MB
Genre: Jazz, Post-Bop, Modern Creative | RAR 3% Rec. | Label: Blue Note (7243 5 97684 2 7)

Greg Osby's outings for Blue Note are always challenging, always extending one boundary or another in his own idiosyncratic jazz iconography that uses elements of the historical tradition, the mainstream, and the avant-garde> in forging that signature. Public was recorded in January, 2004 at New York's Jazz Standard. Osby was playing in support of 2003's excellent St. Louis Shoes album. That band - trumpeter Osby on alto, trumpeter Nicholas Payton, bassist Robert Hurst, and drummer Rodney Green - all make this gig. The only change is the replacement of pianist Harold O'Neil with Japanese prodigy Megumi Yonezawa…
Marlena Shaw - The Essential Marlena Shaw - The Columbia Years (2023)

Marlena Shaw - The Essential Marlena Shaw - The Columbia Years (2023)
WEB FLAC (tracks) - 803 MB | MP3 CBR 320 kbps - 293 MB
2:04:47 | Jazz, Soul, R&B | Label: Columbia - Legacy

A charismatic and versatile jazz vocalist, Marlena Shaw's performances are marked by an artful blend of pop standards and straight-ahead jazz tunes. Her extroverted stage presence gives her an edge over other vocalists, and clearly, singing live before an audience is where she feels most comfortable. After her uncle Jimmy Burgess introduced her to the recordings of Dizzy Gillespie and Miles Davis, she caught the jazz bug and purchased records by Al Hibbler, a vocalist who had a big influence on her singing style. When she was ten she performed at Harlem's Apollo Theater, and despite the enthusiastic reception she received in front of one of the world's toughest audiences, her mother refused to let her go on the road with her uncle, a trumpet player.

Flautando Köln - Neuland (2013)  Music

Posted by Piterets at Sept. 15, 2013
Flautando Köln - Neuland (2013)

Flautando Köln - Neuland (2013)
Contemporary Classical, Vocal, Jazz | Ars Musici 856 | 2013 | 69:25 | EAC (FLAC, cue, log) | Full Scans | Various File Hosts | 384 MB
Katharina Hess, Susanne Hochscheid, Kerstin de Witt (recorders), Ursula Thelen (recorders, voice), Tilmann Schmidt (contrabass), Torsten Müller (percussion), Albrecht Maurer (violin and Gothic fiddle)

For the programme on this CD, the renowned recorder group Flautando Köln explore entirely new directions, interpreting music well outside the normal repertoire for their instruments. Amongst them are pieces by Kurt Weill, Claude Debussy and the jazz great Dizzie Gillespie.

Billy Eckstine & His Orchestra - Mr. B (1962)  Music

Posted by Domestos at March 11, 2018
Billy Eckstine & His Orchestra - Mr. B (1962)

Billy Eckstine & His Orchestra - Mr. B (1962)
EAC Rip | FLAC (image+.cue, log) ~ 62.47 Mb + 18.45 Mb (Scans) | 27:20
Big Band, Swing, Bop | Country: USA | Label: Ember Records - EMBCD 3338

This Ember collection includes Billy Eckstine and His Orchestra's 1944 recordings for Deluxe Records. Eckstine's band featured some of the best sidemen of the big band era – Dizzie Gillespie, Dexter Gordon, Sarah Vaughan, Art Blakey, Gene Ammons, Maxine Sullivan, Benny Carter, Oscar Pettiford – and they swung harder than anyone else on numbers like "Good Jelly Blues," "Blowing the Blues Away," and "I Got a Date with Rhythm." Unfortunately, the sound quality hasn't been remastered at all since this same sequence was first reissued (in 1962), and all of this material is also available on the superb 1944-1945 collection.

VA - Cristal Records Presents: Latin Jazz (2016)  Music

Posted by mark70 at Aug. 12, 2016
VA - Cristal Records Presents: Latin Jazz (2016)

VA - Cristal Records Presents: Latin Jazz (2016)
MP3 320 kbps CBR | 131:20 min | 304 MB
Genre: Latin Jazz | Label: Cristal Records

Cristal Records Presents : cette nouvelle collection jazz de Cristal Records propose à prix doux 2 cds thématiques, le premier dédié aux standards incontournables du thème abordé, le second, lui, sur le même thème présente un florilège de titres issus du catalogue Cristal Records.
The New Woody Shaw Quintet - At Onkel Pö´s Carnegie Hall, Hamburg 1982 (Remastered) (2020) [Official Digital Download]

The New Woody Shaw Quintet - At Onkel Pö´s Carnegie Hall, Hamburg 1982 (Remastered) (2020)
FLAC (tracks) 24-bit/44.1 kHz | Time - 71:03 minutes | 846 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Extraordinary talented jazz trumpeter Woody Shaw recorded at the zenith of his personal development in 1982, accompanied by a sensational group of musicians. The group includes drummer Tony Reedus, bassist Stafford James, the pianist Mulgrew Miller and the trombonist Steve Turre, who became one of the new young voices of the jazz trombone shortly afterwards. Shaw's playing was characterised by technical perfection (just as those of his role model Freddie Hubbard) and a hands-on approach when it came to sound and tonality; Shaw was extremely fast when he wanted to be but never lost the clarity of his musical language.