Djadja & Dinaz Chacun Son Sort

A travers de nombreuses expériences de son pays, l'ancien ministre italien de l'Education, de l'université et de la recherche plaide pour une reconstruction de l'éducation pour tous, équitable et inclusive, favorisant la rigueur, l'innovation, la créativité, la construction des compétences, une pédagogie plus horizontale et la formation à l'autonomie. Il ouvre également son propos à l'Europe. …

Recueil d'une cinquantaine de récits brefs composés par l'écrivain à différentes périodes de sa vie. Organisés selon un ordre chronologique, ils sont tirés de ses cahiers, son journal, de publications diverses. Ils fournissent un aperçu de la chambre d'écriture de F. Kafka en raison des thèmes et figures qui émergent. …

Chloe, a young woman, is going on holidays. She entrusts her beloved cat to Madame Renée's care. But one day Madame Renée (an old lady of the neighborhood) can not find the cat. Chloe starts searching the neighborhood… This is the pretext for the exploration of a quarter of Paris and his inhabitants.

L'auteur, qui a dirigé pendant seize ans Essilor International, explique comment, plutôt que de lutter contre la mondialisation et le changement technologique, il vaut mieux s'y adapter pour en tirer le meilleur parti. Il dresse un diagnostic de l'économie en France avant de détecter des pistes d'évolution. …

With the possible exception of Richard Pinhas' Heldon, Gilbert Artman's Lard Free was probably the premier French progressive group of the '70s. The prolific Heldon might win in terms of amount of material, but the three near-perfect albums by Lard Free (despite the truly wretched band name) probably have them beat in terms of overall quality. Although Artman, a drummer who also dabbles in synthesizers and piano, called Lard Free a group, he was the only constant member; all three albums have different lineups. 1973's Lard Free consists of relatively short pieces with prominent piano and saxophone parts, and as such is the most jazz-oriented of the three. The following year's I'm Around About Midnight consists of three long pieces with much more synthesizer; at times, it sounds almost like early (pre-ambient) Tangerine Dream, or perhaps Clear Light, the French collective Artman and the then-current lineup of Lard Free occasionally worked with around this time. 1977's Lard Free III, also known as Spirale Malax, is Artman's best work, a pair of side-long experiments that combine space music, jazz, and King Crimson-style heavy progressive rock better than many groups (including King Crimson) could ever hope to manage.