Djadja & Dinaz Chacun Son Sort

L'auteur, qui a dirigé pendant seize ans Essilor International, explique comment, plutôt que de lutter contre la mondialisation et le changement technologique, il vaut mieux s'y adapter pour en tirer le meilleur parti. Il dresse un diagnostic de l'économie en France avant de détecter des pistes d'évolution. …

Vladimir Cosma became a highly regarded and hugely prolific soundtrack composer for the French cinema in the 60s and 70s.
Cosma is a stellar example of the rich traditon of French movie composers, from Auric to Delerue to Desplat. Like them, he seems to effortlessly breathe melodies.

With the possible exception of Richard Pinhas' Heldon, Gilbert Artman's Lard Free was probably the premier French progressive group of the '70s. The prolific Heldon might win in terms of amount of material, but the three near-perfect albums by Lard Free (despite the truly wretched band name) probably have them beat in terms of overall quality. Although Artman, a drummer who also dabbles in synthesizers and piano, called Lard Free a group, he was the only constant member; all three albums have different lineups. 1973's Lard Free consists of relatively short pieces with prominent piano and saxophone parts, and as such is the most jazz-oriented of the three. The following year's I'm Around About Midnight consists of three long pieces with much more synthesizer; at times, it sounds almost like early (pre-ambient) Tangerine Dream, or perhaps Clear Light, the French collective Artman and the then-current lineup of Lard Free occasionally worked with around this time. 1977's Lard Free III, also known as Spirale Malax, is Artman's best work, a pair of side-long experiments that combine space music, jazz, and King Crimson-style heavy progressive rock better than many groups (including King Crimson) could ever hope to manage.

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Produced by the likes of Gee Futuristic and Spike Miller, Les Temps Modernes is the debut solo album from French MC Alonzo. Following the previous year's mixtape Un Dernier Coup D'oeil dans le Retroviseur, his 2010 release features contributions from Lygne 26, Ghost Dog, and his bandmates Psy 4 de la Rime, alongside the singles "Je Suis le Quartier," "Braquage Vocal," "Chacun Son Vice," and "Enorme."