Djadja & Dinaz Chacun Son Sort

« Ne te plains pas, n'explique rien. A personne… » A la mort de sa mère, dévasté mais libéré du serment qu'elle lui a arraché, enfant, Ian Gréer ne veut plus se taire : il va révéler à la presse que son « respectable » père, si puissant, si influent, était surtout un mari violent. Pour faire éclater la vérité et venger sa mère, Ian ne recule pas devant la tentation de manipuler Jennifer Stern, une journaliste qui ne veut plus écrire mais à qui il fait miroiter un scoop irrésistible. …

Vladimir Cosma became a highly regarded and hugely prolific soundtrack composer for the French cinema in the 60s and 70s.
Cosma is a stellar example of the rich traditon of French movie composers, from Auric to Delerue to Desplat. Like them, he seems to effortlessly breathe melodies.

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Produced by the likes of Gee Futuristic and Spike Miller, Les Temps Modernes is the debut solo album from French MC Alonzo. Following the previous year's mixtape Un Dernier Coup D'oeil dans le Retroviseur, his 2010 release features contributions from Lygne 26, Ghost Dog, and his bandmates Psy 4 de la Rime, alongside the singles "Je Suis le Quartier," "Braquage Vocal," "Chacun Son Vice," and "Enorme."

The music of French folk troubadour Hugues Aufray existed in stark opposition to the prevailing yé-yé sound that dominated pop charts in the mid-'60s. A disciple of Bob Dylan who regularly adapted his hero's songs into French, Aufray nevertheless proved a popular favorite whose own compositions, most notably "Santiano" and "Celine," quickly entered the mainstream vernacular.