Dolci Farciti 2019

The second solo CD of the young soprano Charlotte Schäfer, together with Concerto con Anima under Michael Preiser, contains true gems of virtuoso coloratura art, which all use texts from the libretto Demofoonte by Pietro Metastasio.

Il Tartufo, il prezioso, profumato, goloso Tartufo è il protagonista di questo nuovo eBook di un grande chef come Umberto Vezzoli, un eBook che è anche il primo di una serie di monografie gastronomiche ciascuna dedicata alle ricette su di un ingrediente principe.

The essential contribution that Milan-born Giovanni Battista Sammartini (c.1700–1775) made to the history of music is universally recognised.

The essential contribution that Milan-born Giovanni Battista Sammartini (c.1700–1775) made to the history of music is universally recognised. He laid the foundations for the Classical symphony: he helped establish the standard composition of the orchestra and promoted independence and individual timbres in his part-writing, while Baroque customs (most notably the basso continuo) gradually gave way to sonata form. In terms of repertoire and recordings, however, Sammartini is still a relative rarity; if you set aside his symphonies and start investigating his chamber music and works for solo instruments, for example, it is soon apparent that many enthralling compositions remain silently filed away in libraries and archives, waiting patiently for the recognition they deserve

Monteverdi’s Ninth Book of Madrigals, published posthumously, and the 1632 Scherzi musicali (‘Musical Jokes’) are thematically linked by the recurring theme of war for the sake of love. Prefaced with a Sinfonia by Biagio Marini and featuring one of Monteverdi’s towering masterpieces, Zefiro torna, the Ninth Book comprises the few remaining late madrigals, a number of canzonette, as well as works with the same titles and verses from the earlier Eighth Book, here performed in completely different musical settings. Recorded complete, and in historically informed fashion, this is the final volume in the series. Italian early music ensemble Delitiae Musicae was established in 1992. The ensemble has been making recordings for over 20 years, and significant projects include Verdelot’s Missa Philomena praevia, and four widely acclaimed albums dedicated to masses of Palestrina that were awarded the Choc du disque and the 9 de Repertoire in France.