Spain's José Maria Sanz Beltrán, aka Loquillo, is a popular rock vocalist who came to prominence as the lead singer of the rockabilly- and punk-influenced band Loquillo y los Trogloditas. Born in Barcelona on December 22, 1960, Loquillo came from a working-class family that resided in the blue-collar neighborhood of Clot. An active athlete in his youth, he was a member of the youth basketball team of Badalona. It was thanks to his budding athletic career that he was noticed and given a shot in the entertainment world. In 1980, a rep from the Cuspide media company saw Beltrán (by then going under the stage name Loquillo) on television…
Hits Hits Hits … as far as the eye can see - The Dome once again presents the best the current charts have to offer.
In the '80s there were those listeners who thought that Heinrich Schiff might redeem cello performance practice from fatal beauty and lethal elegance. Aside from the burly and brawny Rostropovich, more and more cellists were advocating a performance style whose ideals were perfect intonation and graceful phrasing. In some repertoire, say, Fauré, these are perfectly legitimate goals. In other repertoire, Beethoven and Brahms, say, it is a terrible mistake. In Bach's Cello Suites, as the fay and fragile Yo-Yo Ma recordings make clear, it was a terminal mistake. Not so in Schiff's magnificently muscular 1984 recordings of the suites: Schiff's rhythms, his tempos, his tone, his intonation, and especially his interpretations were anything but fay or fragile. In Schiff's performance, Bach's Cello Suites are not the neurasthenic music of a composer supine with dread and despair in the dark midnight of the soul, but the forceful music of a mature composer in full control of himself and his music.
Pop is the ninth studio album by Irish rock band U2, released in March 1997. The album was a continuation of the band's 1990s reinvention, as they pursued a new musical direction by combining alternative rock, techno, dance, and electronica influences. The album employs a variety of production techniques relatively new to U2, including sampling, loops, programmed drum machines, and sequencing. The Japanese Version of Pop with One Extra Track- 'Holy Joe' (Guilty Mix).
Donizetti considered Dom Sébastien, Roi de Portugal (1843), his final completed opera written for the Paris Opéra, to be his masterpiece. In spite of its relative obscurity, on the basis of this recording, one is inclined to agree with him. The opera has several attributes that in the past have proved to be obstacles to its popularity. The first is its length – it's in five substantial acts and lasts three hours, but that's not so onerous for contemporary audiences accustomed to Wagner and Strauss. Besides, the composer created an abbreviated version for Viennese audiences, who at that time wanted to be out of the theater by 10 p.m., and that version could be used if necessary.
Reissue of rare 1975 loner folk private press record from California for fans of Tim Buckley, Nick Drake, Bob Trimble and the like…
The posthumously assembled ten-track outtakes collection The Sky Is Crying actually proves to be one of Stevie Ray Vaughan's most consistent albums, rivaling In Step as the best outside of the Greatest Hits collection. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step and were left off of the LPs for whatever reason (or, in the case of Soul to Soul's "Empty Arms," a different version was used)…