Crying is the principal communication tool of a baby in the early months before other skills and forms of communicating have developed. Often though babies will cry for a reason: a soiled nappy, tiredness, or boredom. At other times you will find it hard to understand why baby is crying. This album has been written to help soothe crying babies and is designed to be used as part of your baby's bedtime, naptime or relaxation routine to create a calming atmosphere that gently induces relaxation and sleep. The album features the comforting sound of a real human heartbeat along with beautifully arranged well known traditional nursery rhymes featuring instruments such as harp, flute, bells, bell piano…
This is a truly, bizarre two-fer package that combines Roy Orbison's early hit album Crying with the soundtrack to the TV Special Black & White Night. The only conceivable reason is, perhaps, that on the latter recording, Orbison re-recorded the title track and "Candy Man." They were included on the special as a career-spanning look at his collection of smashes played by an all-star cast of musicians including Elvis Costello, Bruce Springsteen, and k.d. lang. Weird.
The black-and-white image of legendary Butoh dancer Kazuo Ohno that adorns the cover of The Crying Light, the third full-length by Antony and the Johnsons, seems to offer a view of a being enveloped in both ecstasy and agony – or does it? The songs contained here offer something else: a glimpse of a universe beyond the pale of vision, seen only by the individual experiencing it. Antony Hegarty recorded and considered 25 songs for inclusion on The Crying Light, before settling on ten. The Johnsons are the inimitable cellist Julia Kent, Thomas Bartlett, Maxim Moston, Rob Moose, Jeff Langston, Parker Kindred, Doug Wieselman, and Will Holshouser. The additional orchestra includes Greg Cohen, Suzy Perelman, Tim Albright, and Lisa Albrecht, to name a few.
Very important band from the rich Hungarian prog scene which makes a very complex and moody music. There is a huge variety in their music among their discography. Some albums are very dark, yet beautiful, with a calm atmosphere provided by cellos and violins among moody keyboards and guitars. Other albums hold a more consistent sound where you'll find ELP influences (mainly on the Hammond passages).Really original! This is classical chamber rock, delicate and peaceful. Definitely a must in any prog rock collection.
In the mid-Nineties I discovered the incredible progrock from the Hungarian formation After Crying. This 2-CD set is a very comprehensive musical compilation of their best work and their stunning skills on a wide range of instruments. You can compare After Crying with Gentle Giant concerning the complexity of the music and versatility of every musician. The sound of their music has elements from ELP (bombastic keyboards) and King Crimson (Fripperian guitar) but in general it's a unique blend of classical, jazz, rock, symphonic and avant-garde: a combination of Keith Emerson keyboards, trumpet, fiery electric guitar in "Viadukt", soaring keyboards, repetetive guitarplay and powerful drumbeats in "Stalker", howling electric guitar, a wailing cello and powerful trumpet in "Suburban night", piano, cello and contrabas in the Gentle Giant sounding "Goblin dance", sensitive Fripperian guitar (like Edhels) in "Pilgrim's march" and a superb rendition of King Crimson's classic piece "Starless", goose bumps! After Crying doesn't make very accesible progrock because the combination of classical instruments (please, take a look at the track listing) and modern electric equipment and the variety of styles begs for an adventurous taste and most progheads are very conservative…