Centered around the Byrd/Adams Blue Note dates Byrd in Hand, Chant, Royal Flush, The Cat Walk, and Off to the Races, Mosaic's Complete Blue Note Donald Byrd/Pepper Adams Studio Sessions finds the Detroit natives at the top of their game during 1959-1962. Writing and performing some of the most original and tight hard bop around, Byrd and Adams led a variety of combos that featured the likes of Herbie Hancock (his first session), Wynton Kelly, Duke Pearson (who also contributed material), Charlie Rouse, Sam Jones, and Billy Higgins. From distinct covers ("Lover Come Back to Me") to seamlessly complex originals ("Bronze Dance"), Byrd's pure-toned trumpet and Adams' angular baritone unexpectedly make a perfect match. And beyond a wealth of sides that prove the point, the collection also features – in typically thorough and classy Mosaic fashion – some stunning session photos by Blue Note lensman Francis Wolff and an extensive essay by Bob Blumenthal. A hard bop experience of the highest order.
From the time of his first Blue Note recording in 1964 to his final session for the label in 1967, Sam Rivers made stunning progress as an avant-garde innovator. Starting with an inside/outside hard bop foundation, Rivers quickly took his music as far out as he could while maintaining a recognizable structure; his work fearlessly explored wildly dissonant harmonies and atonality, dense group interaction, cerebral rumination, and passionately intense, free-leaning solos.
A reissue of the 48 Herbie Nichols recordings formerly out on the limited-edition five-LP Mosaic box set, this three-CD package from 1997 has the pianist/composer's greatest work. Nichols was largely neglected during his lifetime; only in the late '90s did the highly original musician start receiving some of the recognition he deserved. Although his originals were often quite orchestral in nature, Nichols only had the opportunity to record in a trio format; the five sessions on this box (30 songs plus 18 alternate takes) feature either Al McKibbon or Teddy Kotick on bass and Art Blakey or Max Roach on drums.
Mosaic's Complete Blue Note Recordings contains all of the recordings Meade Lux Lewis made for the label between 1935 and 1944, making it the definitive statement on the influential boogie-woogie pianist. This magnificent three-LP box set was issued as part of the first release by the Mosaic label. The out of print collection has all of the music recorded during Blue Note"s first session (nine piano solos by Albert Ammons, eight including a five-part "The Blues" by Meade Lux Lewis, and a pair of Ammons-Lewis duets) plus Lewis" 1935 version of "Honky Tonk Train Blues" and his complete sessions of October 4, 1940, April 9, 1941 (four songs on harpsichord), and August 22, 1944.
Blue Mitchell was always a consistent, lyrical, and pleasing trumpeter. Although not as significant during the 1960s as Lee Morgan and Freddie Hubbard (much less Dizzy Gillespie and Miles Davis), Mitchell had his own appealing sound and was a major asset on many modern mainstream dates. This four-CD limited-edition Mosaic box set collects Mitchell's first six Blue Note dates as a leader: Step Lightly, The Thing to Do, Down With It, Bring It Home to Me, Boss Horn, and Heads Up.
The Complete Blue Note/UA/Roulette Recordings of Thad Jones is a wonderful limited-edition three-disc box set, containing everything the trumpeter recorded for the labels in the late '50s. Jones was a fantastic hard bop trumpeter, and the set captures him in all of his glory, making it of interest to serious hard bop connoisseurs.
Blue Mitchell was always a consistent, lyrical, and pleasing trumpeter. Although not as significant during the 1960s as Lee Morgan and Freddie Hubbard (much less Dizzy Gillespie and Miles Davis), Mitchell had his own appealing sound and was a major asset on many modern mainstream dates. This four-CD limited-edition Mosaic box set collects Mitchell's first six Blue Note dates as a leader: Step Lightly, The Thing to Do, Down With It, Bring It Home to Me, Boss Horn, and Heads Up.