Don Lemond

Avid Jazz continues its occasional Three Classic album plus series with a re-mastered 2CD release from Don Ellis complete with original artwork, liner notes and personnel details.
“How Time Passes”; “New Ideas”; “Essence”; plus 4 tracks featuring Don Ellis from the Charles Mingus album “Dynasty”
Three early albums from vastly under-rated trumpeter, composer and bandleader Don Ellis showing the direction he was to follow over the next fifteen years or so before his tragically early death at age, just 44! If you check out the names of the guys Don was playing with in the early sixties it will give you a clue as to where his music was heading. In New York, Don had met fellow jazz searchers like Charles Mingus, Eric Dolphy and George Russell. On our three selections you will hear him playing with a new breed of upcoming jazz men like Jaki Byard, Ron Carter…

In another of those two-fers that are going to tangle discographies for some time to come, this bears the title of a Don Patterson album, The Boss Men, and includes all of the material from that LP. However, this CD, though it's also called The Boss Men, is billed to both Sonny Stitt and Don Patterson, and combines the original Patterson The Boss Men LP with another album cut in 1965, Night Crawler, that was billed to Sonny Stitt, although it featured the exact same lineup (Stitt on alto sax, Patterson on organ, Billy James on drums) as The Boss Men. Not only that, the CD adds two cuts from a Patterson 1964 LP, Patterson's People, also featuring the Stitt-Patterson-James trio. As for the original The Boss Men, it's a respectable straight-ahead jazz-with-organ session…

Don Airey is the keyboard player of Deep Purple. With the iconic British band, he succeeded in doing what would have been impossible for any other keyboard player, substituting the legendary founding member Jon Lord, accidentally one of his idols.

First time reissue of this forgotten album of Don Cherry. This album was recorded in 1978 in Paris and released only in France in 1981. That was the first meeting between Don Cherry and Indian percussionist Latif Khan and the result is an incredible mixture of jazz and Indian music. This unsung album is only known by hardcore fans of Don cherry who considered it as one of his best effort.

Don Henley doesn't move fast because he can afford not to hurry. He can spend the better part of a decade waiting out a record contract, labor on a 90-minute Eagles reunion for maybe half a decade, then take another eight years before returning with Cass County, his first solo album in 15 years and only fifth overall. That's the mark of a man who takes his time, but all that chronology pales compared to the true journey Cass County represents: a return to Henley's country roots, whether they lie in the blissed-out, mellow sunshine of Southern California or the Texas home that provides this record with its name.