Doug Mccleod

Doug Sahm once sang, "You just can't live in Texas if you don't have a lot of soul," and, as a proud son of the Lone Star state, he seemed bent on proving that every time he stepped in front of a microphone. Whether he was playing roots rock, garage punk, blues, country, norteño, or (as was often the case) something that mixed up several of the above-mentioned ingredients, Doug Sahm always sounded like Doug Sahm – a little wild, a little loose, but always good company, and a guy with a whole lot of soul who knew a lot of musicians upon whom the same praise could be bestowed. Pulling together a single disc compilation that would make sense of the length and breadth of the artist's recording career (which spanned five decades) would be just about impossible (the licensing hassles involved with the many labels involved would probably scotch such a project anyway), but this disc, which boasts 22 songs recorded over the course of eight years, is a pretty good starter for anyone wanting to get to know Sahm's music.

Guitarist, composer, arranger, and songwriter Doug Sahm was a knowledgeable music historian and veteran performer equally comfortable in a range of styles, including Texas blues, country, rock & roll, Western swing, and Cajun. Born November 6, 1941, in San Antonio, TX, he began his performing career at age nine when he was featured on a San Antonio area radio station, playing steel guitar…

Revered band Son Volt pay homage to the legendary Doug Sahm on the new album Day Of The Doug. Son Volt founder Jay Farrar’s goal with this 12-song collection was not only to pay tribute to Sahm’s music and influence, but to also highlight some of the deeper tracks in his heralded canon, specifically from a prolific period during the late 1960s through the 1970s. It’s a celebration of a songwriter and performer whose work forged country, Tex-Mex, rock, rhythm and blues, folk, and psychedelia into an utterly unique American sound.

Doug Sahm spent many years in the back half of his career playing to enthusiastic crowds in Scandinavia, even eking out a genuine hit or two. Much of the material on the 2012 compilation The San Antonio Hipster appears to date from the '80s or '90s, likely before Sahm corralled his old friends together to form the Texas Tornados…

This set captures Doug Sahm and his band in the mid '70s. Longtime musical cohort Augie Meyers (who was a key member of the Sir Douglas Quintet) is on hand with his rollicking organ playing. The remainder of the quartet is comprised of a rhythm section as well as tenor sax player Rocky Morales…

The Return of Wayne Douglas – the title comes from one of the aliases Doug Sahm used during country music gigs around Austin, TX – turned out to be Sahm's final studio album. It was recorded just before his heart gave out in a Taos, NM, motel room on November 18, 1999, but released posthumously in late 2000 by Tornado Records, a division of Birdman Recordings…

Doug's newest project, his entry in the Jazz Is Dead album series helmed by Adrian Younge and Ali Shaheed Muhammad, takes his unique and timeless art and places it within the context of a musical culture that has always taken cues from his 70s classics. There's no mistaking the musical mind that created legendary albums like Infant Eyes and Adam's Apple, but the encounter of that with the distinctive jazz-hip hop-funk-noir that is the Younge/Muhammad/JID trademark creates something worthy of comparison to Carn's past work but which could only have been made right now. One can detect nods to musical motifs by Carn's jazz peers that have served as frequent sample fodder, but his compositional and improvisational integrity remain indisputable throughout.