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Another jazz classic that engineer Rudy Van Gelder recorded and digitally upgraded, Worktime is considered among Sonny Rollins's best albums. Recorded with Ray Bryant on piano, bassist George Morrow and the incomparable Max Roach on drums, this album was made shortly after Rollins came East as a member of the Max Roach/Clifford Brown group.

Booker Ervin's debut as a leader teamed the intense tenor saxophonist with fellow tenor Zoot Sims (one will have little difficulty telling the cool-toned Zoot apart from Booker), trumpeter Tommy Turrentine, pianist Tommy Flanagan, bassist George Tucker and drummer Dannie Richmond. Ervin (who has his ballad "Largo" as a feature) performs five originals and "Poor Butterfly"; best are the slow blues "The Blue Book" and the rapid blues "The Book Cooks".

The album jacket of this budget LP contains many mistakes (Cedar "Watton" on piano?) and the recording quality of the live (bootleg?) session is erratic but trumpeter Freddie Hubbard was at the peak of his powers in the early '70s, making this set worth picking up by his true fans. Hubbard stretches out on long versions of "Intrepid Fox" and "Pensativa" with his quintet (which includes Junior Cook on tenor, pianist Cedar Walton, bassist Wayne Dockery and drummer Billy Hayes) and the rhythm section led by Watton, uhh Walton gets The Beatles' "Yesterday" as a feature.

This budget LP just contains ten short selections and does not give personnel or exact recording dates. Recorded in London during 1936-37, the brief program does contain more than its share of rewarding moments, most notably the debut recording of Carter's "When Lights Are Low," the advanced "Waltzin' the Blues" (performed at a time when jazz waltzes were unheard of), the atmospheric "Nightfall," "Just a Mood" and a fine version of "Royal Garden Blues." Carter is heard throughout, switching between alto, clarinet, tenor and trumpet.

Earl Hines is accompanied by Ralph Carmichael's orchestra as he revisits a dozen standards and originals which he had recorded earlier in his career. In spite of the liner-note praise from both Nat King Cole and Stan Kenton (both of whom were also Capitol artists at the time), Carmichael's rather bland, unadventurous arrangements do not seem to inspire Hines very much, as his playing takes on a conservative, easy listening sound that isn't generally associated with him. Hines is in full steam tackling his landmark composition "Rosetta" and shows off a taste of his tremendous chops in "Little Girl," but these tracks ends up being the exception rather than the rule. The music is pleasant for background listening, but serious fans of Earl Hines are advised to get the pianist's own big band recordings or his solo and small-group dates as a leader, as these 1963 sessions for Capitol will doubtlessly disappoint most jazz fans.

For several decades, the Dutch Swing College Band was one of Europe's top regular groups, able to play both Dixieland and swing with equal skill. This LP contains some full band selections (including a Dixieland-ish "Riverboat Shuffle"), combo numbers with the band's two clarinetists, solos, and features for pianist Teddy Wilson with the rhythm section. This celebratory occasion (thus far only available on LP) resulted in some highly enjoyable music that deserves to be reissued on CD.

Digitally remastered edition of this 1969 album from the Queen of R&B. On the aptly titled Black Is Brown And Brown Is Beautiful, she puts her strong voice to soulful covers of 'Yesterday', 'Please Send Me Someone to Love' (Mayfield) and own songs such as 'Miss Brown's Blues'. This material is closer to Soul than to Jazz, and it is full of joy and, of course, rhythm. Discover a truly glorious singer and a R&B legend.

This is Shakira's tenth studio album since she began her career in 1990. The self-titled album is an English record that was initially scheduled to be released in 2012, but was pushed back due to the singer's pregnancy. Shakira. features the single "Can't Remember to Forget You," a duet with fellow Grammy-winning artist Rihanna. The title peaked at number fifteen on Billboard's Hot 100 chart after its release in January 2014.