dr Caligarri

Playing in front of an invited studio audience, Dr. John is featured with a full-scale jazz ensemble on this 1991 session Funky New Orleans. Alto saxophonist Donald Harrison Jr. is the leader of the date, which allows Dr. John to concentrate not only on piano and vocals but also his guitar playing. A hand full of Mac Rebennack and Harrison originals are mixed with the dirty blues of "Shave em Dry" and a nod to Professor Longhair and Earl King on "Big Chief." Also, two instrumental straight-ahead jazz pieces are explored on "Hu-Ta-Nay" and "Walkin Home." This really isn't a Dr. John recording as much as an honest portrayal of these (mainly) New Orleans musicians in an extremely loose and funky setting. Recommended and available on the budget Metro label.

Unlike his In a Sentimental Mood, which swung wildly from Tin Pan Alley standards to supper-club blues, Afterglow is mostly interested in recapturing the late '40s and early '50s, when jazz, blues, and pop intersected with sophisticated ease. The choice of material is impeccable–songs made popular by Nat "King" Cole, Louis Jordan, and Duke Ellington–and the playing is superb throughout. However, "Ain't I Been Good to You," "Just a Lucky So and So," and a stark read of "I'm Confessin'" are particularly effective. And on his original, "I Still Believe in You," Dr. John proves just how influenced he is by West Coast blues legend Charles Brown, who once recorded at Cosimo Matassa's studio where the future Night Tripper got his start.

Over his 35 years of recording, Mac "Dr. John" Rebennack has worn many hats, from '50s greasy rock & roller to psychedelic '70s weirdo to keeper of the New Orleans music flame. All of these modes, plus more, are excellently served up on this two-disc anthology. From the early New Orleans sides featuring Rebennack's blistering guitar work ("Storm Warning" and "Morgus the Magnificent") to the fabled '70s sides as the Night Tripper to his present-day status as repository of the Crescent City's noble musical tradition, this is the one you want to have for the collection.

Previously unissued recordings from the renamed Missus Beastly! 'Dr. Aftershave' was not just the title of the third album by Missus Beastly, it was also the name the band used for a short while during its latter period, apx. 1980. These tracks were recorded for an intended album that, in spite of interest from a couple of labels, didn't see the light of day til' this CD-release.The material is in an appealing instrumental fusion/jazz rock style, and pretty much continues where Missus Beastly's last album had left off.

Dr. Hook & the Medicine Show (shortened to Dr. Hook in 1975) was an American rock band, formed in Union City, New Jersey. They enjoyed considerable commercial success in the 1970s with hit singles including "Sylvia's Mother", "The Cover of 'Rolling Stone'" (both 1972), "Only Sixteen" (1975), "A Little Bit More" (1976), "Sharing the Night Together" (1978), "When You're in Love with a Beautiful Woman" (1979), "Better Love Next Time" (1979), and "Sexy Eyes" (1980). In addition to their own material, Dr. Hook and the Medicine Show performed songs written by the poet Shel Silverstein…

The first two volumes of the Silence project are credited to Pete Namlook and Dr. Atmo while the following three are by Pete Namlook alone.
Silence (1992) is the one that started it all, Fax's first album release and one which caught the ear of both seasoned electronic boffins and dance fans looking for a chilled-out tonic after a night among the thumping beats of clubland.
Both this album and Silence II (1993) are collaborations with close associate Dr. Atmo and despite being at times almost new age in their choice of themes (a voice whispers sweet cosmic nothings like "we are all part of the universe") the music is outstanding. These beguiling, shimmering, reverberant landscapes are sometimes beatless and sometimes gently beaty with subdued live pads and cymbals…