Dsd 2,8

A native of Munich, Karl Amadeus Hartmann (1905-1963) was without a shadow of a doubt the greatest symphonist in the Central European tradition since Bruckner and Mahler. The sketches and early versions of six of his eight symphonies had their origins in one of the darkest periods in world history – from 1933 to 1945 – when the Nazis were in power and Hartmann gradually withdrew completely from public life. This period, which culminated in Hartmann’s own ‘Innere Emigration’ (inner emigration), represented a decisive turning point in his creative development…

Earth, Wind & Fire - 15 Albums Collection (1972-1990) {2012 Columbia Japan Mini LP, Blu-spec CD, DSD Mastering, SICP-20351~6}
EAC rip (secure mode) | FLAC(image)+CUE+LOG -> 4,67 Gb | MP3 @320 -> 1,47 Gb
Full Artwork @ 600 dpi (png) -> 4,00 Gb | 5% repair rar
© 1972-90, 2012 Columbia / Sony Music Japan | SICP-20351~67 | DSD Mastering
Funk / Soul / Blaxploitation / Quiet Storm / Psychedelic Soul

Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. Conceived by drummer, bandleader, songwriter, kalimba player, and occasional vocalist Maurice White, EWF's all-encompassing musical vision used funk as its foundation, but also incorporated jazz, smooth soul, gospel, pop, rock & roll, psychedelia, blues, folk, African music, and, later on, disco. Cardboard sleeve (mini LP) reissue from Earth Wind & Fire featuring the high-fidelity Blu-spec CD format (compatible with standard CD players) and DSD mastering (subject to change). Comes with a reprint of the Japanese edition LP obi, a new description, and lyrics. Part of a 15-album Earth Wind & Fire Blu-spec CD cardboard sleeve reissue series featuring albums "Last Days And Time," "Head To The Sky," "Open Our Eyes," "That's The Way Of The World," "Gratitude," "Spirit," "All 'N All," "The Best Of Earth, Wind & Fire Vol.1," "I Am," "Faces," "Raise!," "Powerlight," "Electric Universe," "Touch The World," and "Heritage."

Brian Eno - Apollo - Atmospheres & Soundtracks (1983) {2009 Virgin DSD Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 189 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar | DSD Remaster
© 1983, 2009 Virgin Records | 509996845312
Ambient / Electronic / Avant-Garde

Apollo - Atmospheres and Soundtracks is an Ambient album released in 1983. It was written, produced, and performed by Brian Eno, his brother Roger and Daniel Lanois. Music from the album appeared in the films 28 Days Later, Traffic and Trainspotting, whose soundtrack sold approximately four million copies.

Cedar Walton - Pit Inn (1974) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9139}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 330 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 600 dpi (png) -> 134 Mb | 5% repair rar | DSD Mastering
© 1974, 2015 East Wind Music / Universal Japan | UCCJ-9139
Jazz / Hard Bop / Piano

A wonderful album from the great Cedar Walton trio that featured Sam Jones on bass and Billy Higgins on drums – a really beautiful group of musicians who completely transformed the sound of the piano trio in the 70s! The group played together often in the 70s, and they've never sounded better than on an album like this – freely soulful and dancing, with Walton in firm command of his talents – sometimes coming on with the strength of his early 60s material, but always opening up with a more exploratory vibe too. Walton worked often in this mode for the decades that followed this set – but this Japanese album is almost the start of that great legacy, and still one of the best from this group! Titles include "Con Alma", "Suite Sunday", "Suntory Blues", and "Fantasy In D".

Masabumi Kikuchi - Wishes/Kochi (1976) {2015 DSD Japan East Wind Masters Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 329 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 600 dpi (png) -> 158 Mb | 5% repair rar | DSD Mastering
© 1976, 2015 East Wind Music / Universal Japan | UCCJ-9173
Jazz / Post Bop / Fusion

An excellent mid 70s Japanese fusion set, led by the Gil Evans protege Masabumi Kikuchi – with a very similar group to the one on his awesome Susto LP! The vibe isn't quite as funky on this outing – in fact it's a bit more reminiscent of Miles' spacey electric explorations – though there are some pretty hard groovin' moments should definitely appeal to fans of funky fusion. Steve Grossman and Dave Liebman play some nice coloristic lines on reeds, and Terumasa Hino is in fine form on trumpet. The rest of the group is rounded out by Reggie Lucas on guitar playing some hard choppy accompaniment to Kikuchi's synths and electric piano, Mtume on percussion, Al Foster on drums and Anthony Jackson on bass. We're especially keen on the dark and heavy "Auroral Flare", the spacious "Pacific Hushes" which opens with a beautiful line played by Hino and the set's closer "Alone".

Ernő Dohnányi (1877-1960) - Chamber Music III - Kocian Quartet (2010) {Praga PRD/DSD 250 268}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 309 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (png) -> 38 Mb | 5% repair rar
© 2010 Praga Digitals / harmonia mundi | PRD/DSD 250 268
Classical / Early 20th Century / Chamber Music

Third volume devoted to the chamber music of the Hungarian pianist-composer-conductor, illustrating the late blossoming of a neo- Germanic Romanticism combined with Magyar nationalism in the style of Brahms. Concertante music in the heritage of Liszt, creating a dialogue between the strings treated like an ensemble of soloists. A new tribute paid to a master who made the Hungarian musical scene and his younger colleagues Bartók, Kodály and Weiner internationally famous between the wars.

Miles Davis - On the Corner (1972) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1227}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 385 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 600 dpi (png) -> 313 Mb | 5% repair rar
© 1972, 2006 Sony Music Japan / Columbia | SICP 1227 | DSD | HQD High Quality Disc
Jazz / Jazz Funk / Jazz Rock / Trumpet

Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner? Before the trumpet even enters the picture, the story has been broken off somewhere in the middle, with deep street music melding with a secret language held within the band and those who can actually hear this music – certainly not the majority of Miles' fan base built up over the past 25 years. They heard this as a huge "f*ck you." Miles just shrugged and told them it wasn't personal, but they could take it that way if they wanted to, and he blew on his trumpet.