Dsd Donald Fagen

The Nightfly is the debut solo studio album by American singer-songwriter Donald Fagen. Fagen was previously best known for his work in the group Steely Dan, with whom he enjoyed a successful career in the 1970s. The band separated in 1981, leading Fagen to pursue a solo career. Although The Nightfly includes a number of production staff and musicians who had played on Steely Dan records, it was Fagen's first release without longtime collaborator Walter Becker.

Pretzel Logic is the third studio album by the American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was written by principal band members Walter Becker and Donald Fagen, and recorded at The Village Recorder in West Los Angeles with producer Gary Katz. It was the final album to feature the full five-member band of Becker, Fagen, Denny Dias, Skunk Baxter, and Jim Hodder, and also featured significant contributions from many prominent Los Angeles-based studio musicians.

Mastered direct to DSD from the original master tape by Bernie Grundman.
Steely Dan's gold-selling third studio album Pretzel Logic, charted at No. 8 on the Billboard 200 and restored the group's radio presence with the single "Rikki Don't Lose That Number," which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen's roles as Steely Dan's principal members.

The Brilliance of Steely Dan on Hybrid SACD! Steely Dan's Last Studio Album with Founding Member Walter Becker! Newly Remastered from the Original Analog Tape by Bernie Grundman Direct to DSD!

Two Against Nature — Steely Dan's Grammy winner for Album of the Year! The brilliance of Steely Dan on Hybrid SACD from Analogue Productions! Newly remastered from the original analog tape by Bernie Grundman direct to DSD!

Led by the songwriting and virtuoso musical duo of Walter Becker and Donald Fagen, Steely Dan released an extraordinary run of seven albums on ABC Records and MCA Records from 1972 through 1980. Filled with topline musicianship, clever and subversive wordplay, ironic humor, genius arrangements, and pop hits that outshone the Top 40 of its day, their records, which were as sophisticated and cerebral as they were inscrutable, were stylistically diverse, melding their love of jazz with rock, blues, and impeccable pop songcraft.

Aja (pronounced Asia) is the sixth studio album by the jazz rock band Steely Dan. Originally released in 1977 on ABC Records, the album peaked at number three on the US charts and number five in the UK. It was the band's first platinum album and ultimately became their best-selling studio release, eventually selling over 5 million copies. In July 1978, the album won the Grammy Award for Best Engineered Non-Classical Recording and received Grammy nominations for Album of the Year and Best Pop Performance by a Duo or Group with Vocals. The credits for Aja list nearly 40 musicians, as band leaders Donald Fagen and Walter Becker pushed Steely Dan further into experimenting with different combinations of session players.

Walter Becker and Donald Fagen were remarkable craftsmen from the start, as Steely Dan's debut, Can't Buy a Thrill, illustrates. Each song is tightly constructed, with interlocking chords and gracefully interwoven melodies, buoyed by clever, cryptic lyrics. All of these are hallmarks of Steely Dan's signature sound, but what is most remarkable about the record is the way it differs from their later albums. Of course, one of the most notable differences is the presence of vocalist David Palmer, a professional blue-eyed soul vocalist who oversings the handful of tracks where he takes the lead. Palmer's very presence signals the one major flaw with the album – in an attempt to appeal to a wide audience, Becker and Fagen tempered their wildest impulses with mainstream pop techniques.

Gaucho is the seventh studio album by the American rock band Steely Dan, originally released by MCA Records. The sessions for Gaucho represent the band's typical penchant for studio perfectionism and obsessive recording technique. To record the album, the band used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. In 1982, the album won the Grammy Award for Best Engineered Non-Classical Recording and received Grammy nominations for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.