Dsd l2

Miles Davis - Live-Evil (1971) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1225~26}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 685 Mb | MP3 @320 -> 261 Mb
Full Artwork @ 600 dpi (png) -> 305 Mb | 5% repair rar
© 1971, 2006 Sony Music Japan / Columbia | SICP 1225~26 | DSD | HQD High Quality Disc
Jazz / Jazz Funk / Jazz Rock / Trumpet

A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes Gary Bartz and Steve Grossman on reeds, John McLaughlin on guitar, Herbie Hancock on keyboards, Hermeto Pascoal on percussion, Dave Holland on bass, and Jack DeJohnette on drums – all given new focus, direction, and inspiration by Miles!

Miles Davis - Get Up With It (1974) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1228~29}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 803 Mb | MP3 @320 -> 298 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1970-74, 2006 Sony Music Japan / Columbia | SICP 1228~9 | DSD | HQD High Quality Disc
Jazz / Jazz Funk / Jazz Rock / Trumpet

Released in 1974, Get Up With It is a follow-up to Big Fun, which appeared in the same year, offering an overview of the recent period and revealing new directions. The funk genre started with “Honky Tonk” from the Jack Johnson sessions, ran through On The Corner with “Rated X” and “Billy Preston,” and ended up in the groovy structures of “Mtume” where, with the help of the wah-wah pedal, the electrified trumpet abandoned phrasing to work exclusively on timbre and rhythm.

Miles Davis - Miles Davis at Fillmore (1970) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1223~24}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 661 Mb | MP3 @320 -> 258 Mb
Full Artwork @ 600 dpi (png) -> 349 Mb | 5% repair rar
© 1970, 2006 Sony Music Japan / Columbia | SICP 1223~24 | DSD | HQD High Quality Disc
Jazz / Jazz Rock / Jazz Fusion / Trumpet

Four sides of long improvised grooves from Miles Davis – a set that's quite similar to the classic studio album Bitches Brew, but which captures the sound in more open live setting! The work is more inside than some of the Davis Japanese sessions of the time, but no less revolutionary – really opening up in some wonderful ways – with lots of spacious modal riffing over some heavy vamps. Groovy and quite free at the same time, but not nearly as out as the later electric recordings!

Sadao Watanabe - Recital (1976) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9178}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 324 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 600 dpi (png) -> 159 Mb | 5% repair rar | DSD Mastering
© 1976, 2015 East Wind Music / Universal Japan | UCCJ-9178
Jazz / Post Bop / Neo Bop / Fusion / Saxopohone

A great live set from Sadao Watanabe – one that shows the wealth of influences he'd been drawing on, from post-Coltrane spirituality, to African-oriented rhythms, to a slight bit of funk! The group's great – with Watanabe on flute, alto, and soprano sax, Takehiro Honda on Fender Rhodes and piano, Kazumi Watanabe on guitar, plus added bass, trombone, and percussion – and we especially like Honda's keyboards, which make any session like this an instant treat! The album's got a warm, soulful feeling, but a sharper edge than most of Watanabe's smoother work of the time – and titles include "Hiro", "Maraica", "Wana Tanzania", and "Mathari Terbenam".