Duncan Sandys And British Nuclear Policymaking

Liya Petrova presents here the first instalment of a double diptych, featuring two rarely recorded works: Walton’s Violin Concerto (1938) with a prestigious British orchestra, the Royal Philharmonic Orchestra conducted by Duncan Ward, and Respighi’s Violin Sonata (1917) with her regular keyboard partner Adam Laloum. The shimmering harmonic palette and the vigorously phrased lyricism of these two works respond almost instinctively to each other and make them a natural coupling.

The British Nuclear Medicine Society celebrates its 50th Anniversary with this booklet, which reflects the research of many of the pioneers in the use of radionuclides for the diagnosis and therapy of human disease. Since 1949 there have been remarkable advances in radionuclide techniques and imaging equipment: from the first devices “home-made” in the many physics departments throughout the UK, to the sophisticated multimodality imagers now in everyday use in Nuclear Medicine.

Christoph Laucht offers the first investigation into the roles played by two German-born emigre atomic scientists, Klaus Fuchs and Rudolf Peierls, in the development of British nuclear culture, especially the practice of nuclear science and the political implications of the atomic scientists' work, from the start of the Second World War until 1959.