Dvorak Talic

Few other composers’ music enjoys such enormous popularity and is as frequently performed on stages worldwide and recorded as that of Antonín Dvořák. And it is the symphonic works that are connected with his name most often.

This CD introduces to disc the newly formed Florestan Trio comprising Susan Tomes, Anthony Marwood and Richard Lester, all now-familiar and highly respected artists after their many earlier recordings, both as members of other ensembles and as soloists. Miss Tomes and Mr Lester were, of course, members of the now-disbanded piano quartet Domus (which was joined by Mr Marwood in its last, award-winning recording of the two Fauré Piano Quintets on CDA66766).

Dvorák's music for violin and piano comes from many periods in his career. An early Sonata in A minor of 1873 is lost. Of the works which do survive, several, including the Notturno and Four Romantic Pieces, are skilful arrangements of earlier works (the Notturno is a reworking of the central section of the E minor String Quartet, while the Four Pieces were originally written for viola and piano).

Dvořák: Concerto for Piano and Orchestra in G minor / Chopin: Impromptu No. 1-4 / Tschaikowsky: Doumka in C minor, Natha, "The Snow Maiden"
Boris Bloch, Piano / Duisburg Philharmonic Orchestra - Jonathan Darlington
FLAC (tracks) 24 bit/192 kHz: 2,82 GB | Artwork | 5% Recovery Info
Label/Cat#: Acousence Classics # ACO21108 | Country/Year: Germany 2008
Genre: Classical | Style: Romantic Piano | Source: Linnrecords.com

The search for "the" solo instrument of the 19th century leads inevitably to the piano. It has its place in the public concert hall as well as in the private salon, and not a few composers have emerged as successful pianists. Among the composers in this program, though, only Frédéric Chopin belongs to this group, but he soon changed his field of activity from the anonymous concert hall to the more intimate salon circle. Antonìn Dvorák, on the other hand, passed the organists' examination and was at first employed as violist in an orchestra, while Tchaikovsky was much too reclusive to interpret his own works in front of an audience. Among the selected works by Dvorák, Chopin and Tchaikovsky, only the Dvorák piano concerto requires a large concert hall, while the solo pieces by Chopin and Tchaikovsky were originally at home in the salon…