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The groundbreaking album, Beauty and the Beat was released in 1980… Every track is a treasure, a mini teen drama immediately appealing, relatable and memorable… From the very start they were instantly identifiable and maybe a little out of step… They indeed had a unique vision… It wouldn't be long till they would charm the pants off the entire world… They had everything… THE GO-GO'S seemed to be more talented than most of their peers and they were always a few steps ahead… In 1982 claimed the number one spot on the Billboard chart and stayed there for 6 weeks and of course it eventually went double platinum… THE GO-GO'S were the first all female band that wrote their own songs and played their own instruments to achieve that massive distinction… They soon proved to be a blueprint and an undeniable inspiration for like-minded girls and they spearheaded a deluge of hopeful girl bands… Pretty much any successful female artist of the past 40 years will swiftly site THE GO-GO'S as an important influence… Now Sympathy is releasing a tribute album to the girls who conquered a male dominated industry and essentially changed everything successfully rewriting the rule book… This tribute, If You Gotta GO-GO, GO-GO now features 24 bands… Included in the line-up are a few big-hitters and others you'll likely be hearing for the first time… I've been working on this since last year with the rather amazing Travis Ramin and tirelessly he has helped turn it into an impressive reality… This was in fact a daunting task and sadly some artists we would of liked to have recruited were unable to participate… Produced by Travis Ramin and with the Mighty GEZA X at the helm tying it all together we are confident it will be an amazing/heartfelt artifact honoring the brilliantly talented and ever-lovely GO-GO'S.

Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.”

After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he tries to rape her again, she dispatches him and then hits the road, a fugitive from injustice. She goes to the Big City and encounters a string of situations where she gets used and abused. When she finally finds a nice woman to rent from, the woman's son turns out to be a detective, which threatens her newly found identity and peace of mind.

And so the series continues - Groovy Hammond sounds, swingin, horn sections, spacey sitars, jangling guitars, jazzy flute excursions. From the spy movie chic of The Reg Guest Syndicate to The Gabrieli Brass. Dig the mellow eastern vibe of Andy Summers & Zoot Money's 'Soma', move to the cool soul of Music Through Six. Evocative, smooth, rocking, eminently danceable and very cool.

After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he tries to rape her again, she …

Deluxe re-issue of Girls At Our Best!’s seminal Post Punk album ‘Pleasure’. Including additional A and B sides of their singles, two unissued 1981 live concerts. Plus legendary 1981 BBC sessions for John Peel and Richard Skinner and a 1981 interview. And a previously unreleased 1978 demo ‘Atribute’ by James Alan and Judy Evans’ band The Butterflies who metamorphosised into Girls At Our Best! plus ‘Boys At Our Best’, a demo from their final recording session.
Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his programme.

After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her.

American rocker Rick Derringer was born on August 5, 1947 in Fort Recovery, Ohio. In 1965, his band The McCoys had the number one single in the US with "Hang On Sloopy." Derringer later played and recorded with Johnny and Edgar Winter's bands and Steely Dan, though he is probably best known for his 1974 solo hit "Rock 'N Roll Hoochie Koo."