The collectible eight pound 17" X 3" metal eagle, which has the ability to be hung on a wall, the special edition, limited to only 3000 copies will include deluxe digipak (folds out into "inverted cross"), bonus BluRay & DVD including "SLAYER Live At Wacken 2014" and "Making Of Repentless Documentary", bonus live CD "SLAYER Live At Wacken 2014", fold-out poster, album sticker and numbered certificate
Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings – including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra – before he became an accomplished bandleader in his own right. At his best, Cobham harnessed his amazing dexterity into thundering, high-octane hybrids of jazz complexity and rock & roll aggression. He was capable of subtler, funkier grooves on the one hand, and awe-inspiring solo improvisations on the other; in fact, his technical virtuosity was such that his flash could sometimes overwhelm his music.
Man were arguably at their peak in 1972, with guitars and solos still locked firmly on stun, and their improvisational powers so taut that it was impossible to predict what might happen next when they played. Certainly the U.K. tour that culminated at the London Rainbow remains one of the most fondly remembered of all the band's excursions, and though the sound quality is just a shade on the murky side, this four-songs-and-a-fiddly-bit souvenir captures all the magnificence of that crowning night.
The Uprising Tour ran in Europe from May 30th to July 13th 1980 with five further dates in the USA in September. It was Bob Marley s last tour before his tragically early death in May 1981 at the age of just 36. The tour was in support of the Uprising album released on June 10th 1980. A few days later on June 13th the live show from Dortmund s Westfalenhalle was filmed for the famous German music TV series Rockpalast and is presented here on DVD and CD for the first time with footage restored to the best possible quality. Bob Marley and the Wailers are on superb form and deliver a set of hit singles and classic album tracks. Marley s energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later.
This is another fine effort from Cobham, who continues to turn out quality recordings that have gone largely unnoticed by both critics and consumers. Beginning with Incoming, Cobham toned down his thunderous approach in favor of a more controlled and complimentary style. His compositions also reflected consideration for the development of his fellow bandmates. Focused continues this trend with an overwhelming sense of honesty. Joining him are his former band mate Randy Brecker and fellow collaborator drummer/keyboardist Gary Husband. Most of the tunes here are over seven minutes long and allow each member to fully develop their statements. Brecker is particularly stunning on "Nothing Can Hurt Her Now."
The follow-up to "Warning'' was performed with much of the same band. The energy level seems to have dipped a bit, and the songs are not as memorable. The "Summit Afrique" suite is the best moment, but even that doesn't leave a lasting impression. A rather forgettable effort that was obviously aimed at the commercial jazz audience.
Most of drummer Billy Cobham's recordings have featured his groups of the period, but this set for GRP matches him with a variety of all-stars. Three songs feature Grover Washington, Jr. on soprano or tenor; Randy Brecker takes a flugelhorn solo on "Taurian Matador"; and other guests include Tom Scott (on his anonymous-sounding lyricon), keyboardist George Duke and bassist Ron Carter.