Eagle Drums by Nasugrap

Prepare for drum destruction! We couldn’t be more proud of this multi-effect plugin and our collaboration with superstar Norwegian producer K-391. This ground-shaking drum processor takes your beats and runs them through intense effects, resulting in transformations that will blow your listeners away. Combining multiple parameters to create punch, weight, depth and attitude, this plugin is your new secret weapon in the fight for distinctive drums. Bespoke split-frequency routing combines specific effects for low and high frequency bands, for unparalleled control over drum shaping and deformation. Whether you need snare shaping or colossal kicks, Put Me On Drums can turn up the heat with simple controls and a range of transformative presets.

In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus Aquila (Tatum) arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca (Bell), Marcus sets out across Hadrian's Wall into the uncharted highlands of Caledonia - to confront its savage tribes, make peace with his father's memory, and retrieve the lost legion's golden emblem, the Eagle of the Ninth.

Behind many of the great rock’n’roll instrumental acts of the late 1950s and early 60s was a great producer. The Fireballs had Norman Petty, the Champs had Dave Burgess, the Ventures had Bob Reisdorff, Sandy Nelson had Richie Podolor, Johnny & the Hurricanes had Harry Balk and, perhaps most significantly, Duane Eddy had Lee Hazlewood, who not only produced but also wrote many of his signature recordings. It took the emergence of Hazlewood and Eddy to turn what might have seemed a passing fad for rock’n’roll instrumentals into an identifiable genre. Previously, records without vocals tended to be regarded as novelties, but after ‘Moovin’ N’ Groovin’’ entered the charts early in 1958, followed by the Top 10 success of ‘Rebel-’Rouser’, such discs became a stand-alone category and soon every record company sought their own twangy guitar act.