Easy Money 1983

Recording The Nylon Curtain exhausted Billy Joel, and even though it had a pair of major hits, it didn't rival its predecessors in terms of sales. Since he labored so hard at the record, he decided it was time for a break – it was time to record an album just for fun. And that's how his homage to pre-Beatles pop, An Innocent Man, was conceived: it was designed as a breezy romp through the music of his childhood. Joel's grasp on history isn't remarkably astute – the opener "Easy Money" is a slice of Stax/Volt pop-soul, via the Blues Brothers (quite possibly the inspiration for the album), and the label didn't break the pop charts until well after the British Invasion – but he's in top form as a craftsman throughout the record.

BUYSOUNDTRAX Records present HIGH ROAD TO CHINA, featuring music composed and conducted by John Barry for the 1983 action adventure film directed by Brian G. Hutton (SOL MADRID, WHERE EAGLES DARE, KELLY’S HEROES), based on a book by Jon Cleary, starring Tom Selleck, Bess Armstrong, Jack Weston, Wilford Brimley, Robert Morley, Cassandra Gava and the great Brian Blessed as the Suleman Khan.

Billy Joel - Piano Man (1973). Embittered by legal disputes with his label and an endless tour to support a debut that was dead in the water, Billy Joel hunkered down in his adopted hometown of Los Angeles, spending six months as a lounge singer at a club. He didn't abandon his dreams - he continued to write songs, including "Piano Man," a fictionalized account of his weeks as a lounge singer. Through a combination of touring and constant hustling, he landed a contract with Columbia and recorded his second album in 1973. Clearly inspired by Elton John's Tumbleweed Connection, not only musically but lyrically, as well as James Taylor, Joel expands the vision and sound of Cold Spring Harbor, abandoning introspective numbers (apart from "You're My Home," a love letter to his wife) for character sketches and epics. Even the title track, a breakthrough hit based on his weeks as a saloon singer, focuses on the colorful patrons, not the singer…