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A specially-price limited edition compilation of Manu Katché on ECM. Here the French drummer is joined in performances of his tunes by an outstanding cast of soloists including Jan Garbarek, Tomasz Stanko, Nils Petter Molvӕr, Trygve Seim, Mathias Eick, Marcin Wasilewski, Tore Brunborg, and Jacob Young. Recorded 2004 -2012 in Oslo, New York and Pernes-les-Fontaines, and drawn from his widely acclaimed albums: Neighborhood (ECM1896), Playground (ECM 2016), Third Round (ECM 2156), Manu Katché (ECM 2284)

The purely magical, tonal, dancing alto or bass clarinet and soprano saxophone of Louis Sclavis are heard fully on this recording with his quintet, where he explores a variety of ethnically inspired motifs guaranteed to delight one and all. Where improvisation has always been his strong suit, here it is relegated to solos, as his written music takes center stage. Fellow front-liner Matthieu Metzger plays alto and soprano sax – together he and Sclavis create a whirling dervish cone of sound that reflects a definite European stance removed from American jazz.

Harpist Giovanna Pessi has previously been heard on ECM recordings with Christian Wallumrod and with Rolf Lislevand. On her first leader date for ECM she introduces a unique project of old and new songs in which 17th century pieces by Henry Purcell are interspersed with 20th century ballads of Leonard Cohen and Nick Drake and 21st century songs of Susanna Wallumrod, all rendered timeless by the ‘early music’ instrumentation and Susanna’s pure, understated vocal style.

David Darling continues his extraordinary solo cello voyage launched on Journal October (1979) and continued with Cello (1992). The cinematic qualities of Darling's solo music has led to its use in films by Jean Luc Godard and Wim Wenders. Dark Wood inspires a different art form: the CD booklet contains a short story, 'Disturbing the Night', specially written to accompany the music by Barry Lopez, American author of the acclaimed Arctic Dreams. Lopez wrote the story as a literary counterpoint to the evocative music of Dark Wood. The music experiments further with the unique multi-tracking techniques used on Cello, creating haunting harmonies and rich textures.

Pianist Giovanni Guidi (born 1985), is one of the most outstanding musicians to have emerged from the ranks of Italian jazz in the last decade and has already made his presence felt on Enrico Rava’s “Tribe” and “On The Dancefloor” albums. Rava praises both Guidi’s “limitless curiosity” as an improviser and his “relentless refinement” of touch and musical taste, and the pianist continually proves that those qualities are not opposites. His first leader date for ECM is a glowing collection of self-penned tunes, simultaneously inner-directed and creatively daring, with many adroit exchanges between the musicians and plenty of space given also to bassist Thomas Morgan, whose role in the Guidi Trio is perhaps analogous to Scott LaFaro’s in the Evans Trio.

Eagerly awaited second ECM album by French-African drummer Manu Katche. Recorded in New York’s Avatar Studio in January 2007, “Playground” picks up where the best-selling “Neighbourhood” left off: in the interim the project has coalesced into a rip-roaring and fully-integrated band. Manu’s group, featuring a Polish/Norwegian confederacy of young players, is energized by his hard driving drums and by his compositions which invite spirited solos… Together, the quintet - whose strong new frontline features Mathias Eick and Trygve Seim - makes exciting, zestful music.

On its third ECM album Vallon again leads the group not with virtuosic solo display but by patient outlining of melody and establishing of frameworks in which layered group improvising can take place. With this group, gentle but insistent rhythms can trigger seismic musical events. Although Vallon (recently nominated for the Swiss Music Prize) is the author of nine of the pieces here, the band members share equal responsibilities for the music's unfolding. The gravitational pull of Patrice Moret's bass and the intense detail supplied by Julian Sartorius's drums and cymbals are crucial to the success of Vallon's artistic concept and the range of emotions the music can convey.

Pianist Giovanni Guidi and trombonist Gianluca Petrella, key figures in what some are hailing as a “golden age” of Italian jazz, found their strong improvisational rapport inside Enrico Rava’s band (see for instance the 2010 ECM album Tribe) and, keen to play more, formed a duo, giving many concerts in which they are intermittently joined by guests. For this studio recording, producer Manfred Eicher brought the duo together with US drummer Gerald Cleaver and French clarinetist Louis Sclavis, for an outgoing set of music which includes lyrical free improvising and tunes composed by Giovanni and Gianluca.

Kenny Wheeler's beautiful sound on trumpet and his wide range are well-displayed on his four compositions, three of which are given performances over ten minutes long. With the assistance of ECM regulars Jan Garbarek (on tenor and soprano), guitarist John Abercrombie, bassist Dave Holland, drummer Jack DeJohnette and (on one song) guitarist Ralph Towner, Wheeler emphasizes lyricism and romantic moods on this fine set of original music.

Jack DeJohnette has played with almost all the architects of modern jazz history, from the members of the AACM to Coltrane, Miles, Rollins, Ornette Coleman and Bill Evans and is, of course, currently a member of the world's most celebrated piano trio, Keith Jarrett's "Standards" band. For a quarter-century the drummer has also been a bandleader in his own right. Oneness joins a line of distinguished groups that includes New Directions and Special Edition and is perhaps Jack's most all-embracing unit to date: its members share the leader's utopian vision of a multi-directional music that includes, but is not limited to, jazz. The heart of the band is the uncanny rhythmic alliance between DeJohnette and Don Alias, first tested on Miles's innovative On The Corner and revitalized on the road with Herbie Hancock's The New Standard project.